October 2017

  • Dracula, I Love You

    Periodically, I like to dive into my old “A Track, A Day” blog archives for music I’ve written about before but I feel still hasn’t gotten its fair shake. What better time than Halloween to revisit Tuca’s (real name Valeniza Zagni da Silva) curious masterpiece: Dracula, I Love You? Curious because it’s unlike much released at…

  • Fabrique

    One of the ultimate statements in sleaze. Some Discog commenter put it better than I ever would: “If cocaine were music, this album would be the result.” Helmed by German post-disco mastermind Zeus B. Held and a post-punk quartet from Birmingham, England, Fashion, Fabrique brought them together to create something that vastly outstretched their original influences. Fabrique saw them…

  • These are the kinds of records that just mean the world to me. They’re the ones so full of potential, yet profoundly this…close to being lost in the cracks of history. What you’ll hear in 882 Studio is a very short and sweet compilation by three artists from the Japanese label Fitzbeat, a label mostly…

  • Yukako Hayase

    Where does one start with Yukako Hayase? That’s the question I asked myself when debating, for what seemed like forever, what would be the album I would recommend others to explore, to give them a better sense of why Yukako is such a deeply important artist (and one sadly lost to time). Thankfully, with time,…

  • …Behind the – Behind the Wall – Under the Tree…or right here, after a long scroll to the bottom of this post you might find my favorite release by Swiss-born Andreas Vollenweider. Now more widely known his placid work backing up Carly Simon or his milquetoast New Age, “fantasy” music, there was a time when…

  • Released on Wacoal Art Center’s NEWSIC label, Yoshiaki Ochi’s Natural Sonic shares some of the same magic heard in the music of fellow roster mates Yoshio Ojima, Motohiko Hamase, and Mich Live. This time the aural trick would be one of the most simple of them all. Largely composed, conceived, and performed on organic material…

  • One name stuck out to me when listening to Japanese label Shi Zen’s wonderful Windham Hill-like compilation Shizen Collection ’87, it was Masayuki Sakamoto’s contribution “Psy’chy”. Even with other, like-minded Japanese New Age artists like Sojiro, Kiminori Atsuta, and the parent label’s creator Kitaro, there was always a high amount of cheesy aplomb in the…

  • Other than being a great proponent of why we need paid maternity leave in America, Tabo’s Project Eyes Of A Child is a great proponent of how many hidden gems in Japan’s musical history are still left to be rediscovered. A balearic masterpiece, or walearic (if we’re being pedantic), Eyes of a Child was conceived in…

  • 6. FOND_SOUND

    It took two guiding lights to shepherd me through this mix I created for Mexico City’s brilliant Mitamine cultural curation blog. First, I knew the beginning had to start with Lins & Ford’s “Fast Roads” and it’s end had to be with Kyoko Koizumi’s “Eastern Jungle”. They felt like thematic book ends to something bigger. What was…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic