album

  • Vibe with me for just a bit longer. As you can surmise, lately, I’ve been touching on a more universal kind of music. It’s this shift that’s letting me to revisit and share some of what I think has flown under the radar. And in today’s case, it’s Yoshimi Iwasaki’s daring and quite forward-thinking reemergence…

  • When I wrote about Rie Miyazawa, I knew I’d have to come back to share another interesting side trip she’d take. In this case, it’s Rie’s work with Tadashi Namba and Takeshi Itoh on Tokyo Elevator Girl (東京エレベーターガール), a fascinating coda to her inspiring early ‘90s period, a soundtrack to Japanese TV drama of the…

  • Out of all the things I remember about my time in Japan, funny enough, one thing I can’t seem to forget is this: just how “French” so many things are. Walking down the street, shopping around, looking for a bite to eat (or just a place to relax), more often than not, you’re bound to…

  • Sometimes the hardest thing isn’t putting words on screen. Sometimes the hardest part is finding space to write about a certain piece of music you’re not completely certain others will understand (or have the patience for). Unfortunately, you know me, and you know I have patience to spare and more than enough time to choose…

  • Is it: “Everything new is old again?” or is it: “Everything old is new again?” Before I left for my visit to Japan, I was freshly reminded of this paradox by (friend of the blog) Chris Morris’s YouTube share of an autumnal neo-folkloric favorite of mine: Begoña Olavide’s Salterio – one I reminded myself to…

  • When autumn comes rolling in, I always welcome a fresh wind that shifts my focus elsewhere, towards music with a more folkloric bent. And for some reason, I’m always surprised to be unsurprised by how much there is to harvest from the Irish or Gaelic diaspora. As leaves start to turn and a certain seasonal…

  • It’s pretty hard to write about Fukushima’s Karak without not waxing a bit nostalgic. Over the course of two records – Silent Days (サイレント) and Flow (フロウ) – all the music they created hovers around a certain mood and a certain period. For me, their tracks like “明日ヲ見ル丘” and “ゆめのスウプ” instantly conjure up all these…

  • Sometimes I have to catch myself. Do I really want to go down the rabbit hole, searching for information…not for some brilliant bit of music…but for…a well-off music production company? If you, like me, have a bunch of records with literally no-name behind who created them, what do you do when you’re staring down Toyo…

  • Find your space in the pocket. If ever there was a phrase that I’ve been trying to hammer home lately, on the blog, it’s that. It’s about exploring the work of musicians who moved things around, found ways to pick at frayed threads and bind them together, to build their own work. China’s Säju is…

  • First off: a huge thank you for Sara Mautone for cluing me in to this album. I say this, because when you listen to Nina Catarina’s Acordei Com Preguiça I think you’re getting to hear something special. What I believe you’re hearing is part of that ongoing Brazilian musical evolution, influenced by the proximity, culture,…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic