Tag / 1987

I hate to say it but Osaka guitar duo Gontiti (pronounced Gon-Chi-Chi) really nailed it when they called themselves the creators of “The Most Comfortable Music On Earth”. You see, I first encountered the music of Gontiti in the most unlikeliest of likeliest places. On some fateful day, I was with my partner at a […]

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Deeply icy, floating music from Swedish band Vinterhjärta. Playing like a soundtrack to a particularly windswept, frozen tundra Vinterhjärta’s (which translates to winter heart) sole, self-titled affair, binds all sorts of experimental Swedish conceits — space prog, New Age, and ambient jazz— into one work (released on cassette) that looks for no quarter in the […]

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/ December 15, 2017 / Comments Off on Toshifumi Hinata: Story (1987)

Toshifumi Hinata: Story (1987)

I wish I had a great way to describe the beauty of Toshifumi Hinata’s music, more so, the beautiful music you’ll find in Story. I’ll skip over his background, which you can peruse here, in a previous post, so that we can get to the meat of the album. Though not quite as dark/moody as […]

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/ December 8, 2017 / Comments Off on Takashi Kokubo: Get At The Wave (1987)

Takashi Kokubo: Get At The Wave (1987)

Just reading about Takashi Kokubo makes one feel decidedly less accomplished. Since the early ‘80s, Edokko Takashi has been knee-deep in the environmental music world. Outside of Japan, few would know that he is responsible for perhaps some of the most terrifying sounds you’ll ever want to hear.

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/ December 1, 2017 / Comments Off on Masahide Sakuma & dip in the pool: 黒いドレスの女 OST (1987)

Masahide Sakuma & dip in the pool: 黒いドレスの女 OST (1987)

This is such a rare album, for a truly forgotten movie. Masahide Sakuma and dip in the pool’s soundtrack for 黒いドレスの女 (otherwise known as Kuroi Doresu No Onna/A Woman With A Blass Dress) hints at darker themes underlying the whole movie. The movie itself, one starring Tomoyo Harada, was a sexy noir movie based on […]

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There’s something about fall that makes me play Hiroshi Yoshimura’s music much more often. On prior albums like Green, A・I・R (Air In Resort), and Soundscape 1: Surround, Hiroshi perfectly seized on exactly what “environmental music” could be and how it could differ from BGM (background music). No longer mere ambient music, it was decidedly rich, melodic experimentation […]

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One name stuck out to me when listening to Japanese label Shi Zen’s wonderful Windham Hill-like compilation Shizen Collection ’87, it was Masayuki Sakamoto’s contribution “Psy’chy”. Even with other, like-minded Japanese New Age artists like Sojiro, Kiminori Atsuta, and the parent label’s creator Kitaro, there was always a high amount of cheesy aplomb in the […]

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/ May 5, 2017 / Comments Off on Eblen Macari: Música Para Planetarios (1987)

Eblen Macari: Música Para Planetarios (1987)

Every time I revisit Eblen Macari’s landmark release, Música Para Planetarios, I find something different and special about it. At times, it’s finding pride that something like this exist where one’s own Mexican culture doesn’t need to be negated/subjugated to create something spectacularly pioneering. Other times, it’s when I sit back and identify cultural cues and traditions inherent in […]

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/ April 17, 2017 / Comments Off on Yas Kaz: Shinran/Path To Purity (1987)

Yas Kaz: Shinran/Path To Purity (1987)

Originally recorded to soundtrack Rentarō Mikuni’s Jury Prize-winning Cannes film festival “Shinran: Path to Purity”, Yas Kaz’s own Shinran/Path To Purity does well to exist on its own, outside the cinema. Taking cues from the original story of Shinran, the Buddhist monk who promoted a very egalitarian method to spirituality/salvation, so does Yas Kaz transform his knowledge of Japanese […]

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/ March 10, 2017 / Comments Off on Sławomir Kulpowicz ft. Czesław Niemen: Samarpan (1987)

Sławomir Kulpowicz ft. Czesław Niemen: Samarpan (1987)

A true giant of Polish Pop music comes out of the wilderness to join up with a Polish Jazz giant who purposely went into its wilderness to create a masterpiece of Coltrane-influenced Spiritual Jazz…one influenced by the Coltrane we tend to forget. You see, Samarpan has all the touchstones of one Turiyasangitananda Alice Coltrane.

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