Tag / 1988

/ January 16, 2018 / Comments Off on Re Niliu: Caravi (1988)

Re Niliu: Caravi (1988)

Tradition is such a double-edge sword. In the hands of the orthodoxy, tradition can be used as a bludgeon, meant to remind you of a lineage, as a means to keep you rooted in the past. In the hands of the inspired, tradition is used as a source to actually build for the future, a […]

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It is with great joy that I’ve decided to share Killing Time’s Irene. Undoubtedly one of the toughest groups to describe on this hear blog, Killing Time hovers among so many styles and moods that to render them one thing or another would miss the point of their existence. Irene, though, in 1988, perfectly placed […]

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/ December 22, 2017 / Comments Off on Yoshio Ojima: Une Collection Des Chainons II: Music For Spiral (1988)

Yoshio Ojima: Une Collection Des Chainons II: Music For Spiral (1988)

When I originally wrote my piece on Yoshio Ojima’s groundbreaking work Une Collection des Chainons I, I couldn’t think of why omitted the second part of his story. Une Collection des Chainons II truly cements what a monumental piece of music (Une Collection des Chainons I&II) for the Wacoal Art Center was. Trying to move […]

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/ September 15, 2017 / Comments Off on Joan Bibiloni: For A Future Smile (1988)

Joan Bibiloni: For A Future Smile (1988)

Six years after our first introduction to Joan Bibiloni, via his fantastic debut (Joana Lluna), the world had moved under him. For A Future Smile presented Joan Bibiloni in a way unlike anything before. Just a year earlier Joan had been commissioned by a Spanish TV network to create a soundtrack for a nature documentary. […]

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/ September 13, 2017 / Comments Off on Almir Sater: Instrumental (1988)

Almir Sater: Instrumental (1988)

Something so simple as an album of 10-string viola caipira instrumentals shouldn’t sound so impressive, but leave it to Campo Grande native Almir Sater to make you rethink a whole lot of something. This release, Instrumental, was more than just a musical document of some brief musical sojourn, it was a massive peek into the […]

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/ July 28, 2017 / Comments Off on Motohiko Hamase: #Notes Of Forestry (1988)

Motohiko Hamase: #Notes Of Forestry (1988)

What’s with Japanese session bass players? Yoshio Suzuki, Tsugutoshi Goto, Hirobumi Suzuki, etc. and now Motohiko Hamase, all at one point or another decide to show the world that they can do more than lay down a tasty bass line. #Notes of Forestry shows exactly how fascinating their own ideas can be when they’re given […]

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/ June 16, 2017 / Comments Off on Mich Live: Plant Planet’s (1988)

Mich Live: Plant Planet’s (1988)

Let’s try a little tenderness from Mitsuru Sawamura, otherwise known as Mich Live, one-time member of Japanese band Interior (with whom he wrote songs like “Luft” and “Park“) and brilliant session musician for others like Yukihiro Takahashi, Hajime Tachibana, Pierre Barouh, and Mari Iijima. In 1988, Mitsuru released under the Newsic label (home of Yoshio Ojima) something that straddles […]

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/ March 8, 2017 / Comments Off on Macias: Regreso a Valencia (1988)

Macias: Regreso a Valencia (1988)

One of my favorite albums from one of my favorite record label series. Largely piano-based, José Luis Macias’s Regreso a Valencia (Returning to Valencia) touched on that personal essence that made other albums like Toshifumi Hinata’s or Ichiko Hashimoto’s so intimate and gorgeous. Combining western-style minimalism with their own more regional, neoclassical styles, all these releases affect austerity at first, but […]

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/ January 23, 2017 / Comments Off on Naoki Asai: アバ・ハイジ Aba · Heidi (1988)

Naoki Asai: アバ・ハイジ Aba · Heidi (1988)

perfect album for our alternate reality, filled with alternative facts. In a perfect world there would be lines upon lines of information out there written on Naoki Asai’s アバ・ハイジ Aba · Heidi. Unfortunately, in our imperfect world all we have is one (!!!) brave blog post even attempting to suss out what in the world Naoki Asai […]

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