ayuo takahashi

  • Editor’s note: Ayuo was kind enough to email some corrections to my review. I’ve included them inline for readers to take in. It’s never easy to be the first in anything. Kazue Sawai’s whole career is a living testament to this with multiple convictions rendering their verdict on her choices. In 1987, she chose to…

  • Certain albums just sound special from the get-go. When I put on Ayuo Takahashi’s Nova Carmina instantly I hear something that takes me back. It’s something quite simple: Ayuo’s violin playing streaks of glissando over something he wrote for Aideen Morgan. It’s poetry speaks of a rebirth of sorts, of its narrator finding in the…

  • Some of my favorite artists are those that fluctuate along the same wavelength as yours truly. One of these is the incomparable Ayuo Takahashi. Never moored by any specific idea, his vision is expansive — all is fair game in his musical world. From English folk to mystic Persian devotionals, to electro and mutant funk,…

  • neoplant

    Koharu, Koharu, wherefore are thou Koharu? That’s the big question rolling around in my head. Koharu Kisaragi’s 都会の生活 Tokai No Seikatsu (which translates to: Urban Life) isn’t just an impressive, largely, unheard of album, it’s also impressive for being largely unknown in details both in what went into its creation and what happened to its creator. This true one-off by Japanese playwright, theater…

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