Tag / balearic

Günther Beckers music has a perfect word for it: Gesamtkunstwerk. Gesamtkunstwerk is an interdisciplinary artistic work combining various disciplines — music, painting, poetry and design. Wagner conjured up this idea when trying to produce a work that could also wrap in artistic ideas derived from theatrical, poetic, and musical influences. Aesthetics would be the English word […]

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A personal favorite of mine, not because it’s his greatest work — I’d wager more people expect the late, great Swedish guitar maestro Thomas Almqvist’s Balearic masterpiece Nyanser to be that one — but because it’s the one that sounds the most honest to where I come from. Thomas Almqvist’s The Journey was his second […]

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I was going to write about how much I appreciate all of you, the readers, who keep visiting this blog and give your precious time to discover music I feel passionate about. It’s been over a year since FOND/SOUND began. It’s because of your encouragement and support that this labor of love keeps going. With […]

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Proof positive that maybe the Germans were on to something. In 1979, the independent German music critics’ association bestowed upon Santiago’s Walking the Voodoo Nights their highest honor, the Deutscher Schallplattenpreis. For album of the year — knee deep in the time of punk and post-punk — one wouldn’t think that such a high honor […]

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One of the ultimate statements in sleaze. Some Discog commenter put it better than I ever would: “If cocaine were music, this album would be the result.” Helmed by German post-disco mastermind Zeus B. Held and a post-punk quartet from Birmingham, England, Fashion, Fabrique brought them together to create something that vastly outstretched their original influences. Fabrique saw them […]

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/ October 24, 2017 / Comments Off on 南佳孝, 観, 太田建: 882 Studio (1985)

南佳孝, 観, 太田建: 882 Studio (1985)

These are the kinds of records that just mean the world to me. They’re the ones so full of potential, yet profoundly this…close to being lost in the cracks of history. What you’ll hear in 882 Studio is a very short and sweet compilation by three artists from the Japanese label Fitzbeat, a label mostly […]

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/ October 20, 2017 / Comments Off on Yukako Hayase: 薔薇のしっぽ Roses’ Tails (1989)

Yukako Hayase: 薔薇のしっぽ Roses’ Tails (1989)

Where does one start with Yukako Hayase? That’s the question I asked myself when debating, for what seemed like forever, what would be the album I would recommend others to explore, to give them a better sense of why Yukako is such a deeply important artist (and one sadly lost to time). Thankfully, with time, […]

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/ October 18, 2017 / Comments Off on Andreas Vollenweider: …Behind the Gardens-Behind the Wall-Under the Tree… (1981)

Andreas Vollenweider: …Behind the Gardens-Behind the Wall-Under the Tree… (1981)

…Behind the – Behind the Wall – Under the Tree…or right here, after a long scroll to the bottom of this post you might find my favorite release by Swiss-born Andreas Vollenweider. Now more widely known his placid work backing up Carly Simon or his milquetoast New Age, “fantasy” music, there was a time when […]

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Other than being a great proponent of why we need paid maternity leave in America, Tabo’s Project’s Eyes Of A Child is a great proponent of how many hidden gems in Japan’s musical history are still left to be rediscovered. A balearic masterpiece, or walearic (if we’re being pedantic), Eyes of a Child was conceived […]

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It took two guiding lights to shepherd me through this mix I created for Mexico City’s brilliant Mitamine cultural curation blog. First, I knew the beginning had to start with Lins & Ford’s “Fast Roads” and it’s end had to be with Kyoko Koizumi’s “Eastern Jungle”. They felt like thematic book ends to something bigger. What was […]

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