Tag / electro-acoustic

Just reading about Takashi Kokubo makes one feel decidedly less accomplished. Since the early ‘80s, Edokko Takashi has been knee-deep in the environmental music world. Outside of Japan, few would know that he is responsible for perhaps some of the most terrifying sounds you’ll ever want to hear.

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Günther Beckers music has a perfect word for it: Gesamtkunstwerk. Gesamtkunstwerk is an interdisciplinary artistic work combining various disciplines — music, painting, poetry and design. Wagner conjured up this idea when trying to produce a work that could also wrap in artistic ideas derived from theatrical, poetic, and musical influences. Aesthetics would be the English word […]

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This is such a rare album, for a truly forgotten movie. Masahide Sakuma and dip in the pool’s soundtrack for 黒いドレスの女 (otherwise known as Kuroi Doresu No Onna/A Woman With A Blass Dress) hints at darker themes underlying the whole movie. The movie itself, one starring Tomoyo Harada, was a sexy noir movie based on […]

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/ September 27, 2017 / Comments Off on Mitar Subotić, Goran Vejvoda: The Dreambird (1986)

Mitar Subotić, Goran Vejvoda: The Dreambird (1986)

Some music you discover, and some simply grabs you instantly. For me, the music of Suba, the brilliant Serbian musician Mitar Subotić, is one of them. The line between atmospheric, ambient, New Age, and environmental music is so thin, that to render one type of music, a certain something misses the whole point. With Mitar […]

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/ September 6, 2017 / Comments Off on David Mingyue Liang: Dialogue With The Ocean (1986)

David Mingyue Liang: Dialogue With The Ocean (1986)

Dr. David Mingyue Liang’s Dialogue With The Ocean merges deep ethnomusicologist study with floating, electronic minimalism for a watery kind of meditative ambient music. With one foot deep in Chinese folk music and another in modern experimental composition, David Mingyue Liang creates something that sounds less like the “Chinese Meditation Music” envisioned by his Tao […]

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/ September 1, 2017 / Comments Off on The Milky Way: Summertime Love Song (1979)

The Milky Way: Summertime Love Song (1979)

Pull out your surfboard, put some sangria on ice, and really enjoy this one. A surprisingly unknown masterpiece, and a rare, rare, rare one at that, of Japanese City Pop, J-AOR, or light mellow, no matter what you call The Milky Way’s Summertime Love Song, one thing you can’t say it is is uninspired. Released […]

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/ August 23, 2017 / Comments Off on Paolo Modugno: Le Bala Et La Mouche (1994)

Paolo Modugno: Le Bala Et La Mouche (1994)

Man, what a world to we live in. Just this year Italy’s Archeo Recordings reissued Paolo Modugno’s intriguing debut Brise D’Automne. Once a member of Italian multi-media performance group O.A.S.I., what turned as a love for Middle Eastern and African music transformed into the exploration of new ways to interconnect the electronic with the acoustic […]

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/ August 18, 2017 / Comments Off on Joachim Witt: Moonlight Nights (1985)

Joachim Witt: Moonlight Nights (1985)

If anyone knows me, they’d know this album forms a perfect storm of what I dig about music. I love it when someone actually aims to “sell out” by doing it in such a way that everyone is left dumbfounded by the product of that intended vision. There is one “right” way to pull that […]

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Hard to describe what’s going on in Triangulus and Björn J:son Lindh. The closest analog I could think of would be what would happen if the Alan Parson’s Project relocated to the island of Majorca and replaced their members with Swedish electro-acoustic minimalists. Imagine a very math-y (complex, musical time signatures galore) version of Balearic […]

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/ August 4, 2017 / Comments Off on Hajime Mizoguchi: Halfinch Dessert (1986)

Hajime Mizoguchi: Halfinch Dessert (1986)

These are the things that surprise sometimes. I went into researching some background story behind Hajime Mizoguchi’s deeply affecting Halfinch Dessert and wound up uncovering that their is some meaning behind this album. Hajime Mizoguchi was born and raised in Tokyo. By the age of eleven he had chosen to educate himself in the ways […]

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