electro-pop

  • It goes without saying that this is the silly season for me. While I would like to drop reams upon reams of knowledge on the ins and outs of Ms. Mio Takaki and her New-Tant, unfortunately, I have less time than normal to do so but I’ll do my best. As for those who appreciate…

  • Before the image, before the story, before the music, before anything else, what really gets to you is that voice. In full flight, Loredana Bertè’s voice is just this guttural thing unlike anything else, searing quite anything within its range, making you stop and immediately take notice. Powerful and raw, it’s a voice just raging…

  • I’ve got to say I really had fun with this one. Inspired by Ms. Sally’s wonderful recommendation to check out the music of brother/sister duo Sophie and Peter Johnston, I felt compelled to build on an idea for my latest mix for LYL Radio: “What about an hour dedicated to music that takes us back…

  • Let’s revisit one of my favorite topics: when prog goes pop. In a way, it should inform today’s discussion on Anthony Phillips’ Invisible Men. You see, not so many moons ago I dedicated a mix to one Peter Bardens, ex-Camel and Caravan keyboardist who quietly created intriguing “prog”-minded pop music. It’s a sound that I…

  • It’s perhaps uncommon knowledge that the best marriages (and relationships) are those comprised of two individuals coming together not in spite of their differences but because of their differences. One can clearly hear this in practice in the nearly telepathic playing of Osaka Japanese New Age guitar duo, Gontiti. In the past I’ve written a…

  • What happens if you mix the Everly Brothers and Kraftwerk? The answer you’re supposed to hear should be: Adolphson-Falk’s Med Rymden I Blodet. However, I don’t think it quite is. Taking inspiration from both those iconic bands yet doing something decidedly different, is what led me to write about one of Sweden’s least heralded pop…

  • Don’t you just love it when everything comes together? Kenji Sawada must have taken forever to match up his forward-thinking persona with his stagecraft and music, but on Aux Femmes 女たちよ) it all fell into place. Toying with gender, electronics, and all sorts of compositional elements, Aux Femmes 女たちよ proved he just wasn’t some emptyheaded…

  • Was the world ever ready for Thomas Leer? Listening back to Thomas’s The Scale Of Ten one can hear all the potential there. It’s this theme of tweaking a recipe. Here it was to make his once abrasive, experimental blue-eyed soul into a chromed-out beast, outfitted in Fairlight CMI clothing, permeating with giant-sized hooks. In…

  • There’s something I really admire about Naples’ own Teresa De Sio’s way of thinking. When I went around digging through interviews to find a little more about the backstory for 1988’s Sinderalla Suite, I encountered Teresa’s fuller story. In it, Teresa painted a much bigger picture than I was expecting.

  • Sometimes, I feel that there’s no truer saying than this one: “you can never be a prophet in your own land”. It still boggles my mind that a) Coati Mundi’s The Former 12 Year Old Genius has never been reissued in any digital format and b) his work was never remotely as popular in his…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic