electroacoustic

  • Color me “stumped”. My apologies to Chris, who graciously shared Yon Seok-Won’s 空 (Space & Silence) with me. I did my best to piece together some kind or type of background for this amazing Korean ambient album but ran into an equally large gulf in history. It shouldn’t end this way, of course. Much like…

  • Sometimes half the battle choosing what to share on this blog is figuring out how to describe music that has trouble defining itself. Berlin’s Achim Gieseler, aka Jakino, of Jakino’s 7th World has no such problem. Achim had a long career making music for films, theater, and television, and an equally varied career backing up…

  • If one can remember anything of French-Lebanese musician Gabriel Yacoub, it’s of the time he fronted progressive folk group Malicorne. Under Malicorne, one could hear ideas fomented from prior work with the Alan Stivell band. A mix of forgotten Breton music and experimental folk, Malicorne sounded like little else (closest brethren being Clannad, elsewhere). As…

  • Coming in clear, not just a message from Min’yō but one of other beautiful Japanese folk traditions from the Muromachi period and others from deep sōkyoku compositions, albeit transformed via newfound ideas (of newer ages), as played through by the late great clarinetist Koichi Inamoto. To put it simply: Well, what’s the Message From Min-Yō…

  • Here’s another leftfield one from the Windham Hill label. A high mixture of Latin American rhythms, warm digital synthesis, and exploratory brass instruments, High Plateaux by the Argentine-Mexican duo of Bernardo Rubaja and Cesar Hernandez, cement itself as one of the high points and sadly little, further defined areas of little-known Latin American New Age…

  • Normally, here’s the space where I begin to wax poetically about an album I wish others would take the time to discover. Hiltzik & Greenwald’s Views From A Distance is one of these albums I wished I had copious amounts of history to draw from. It’s one of those albums I hoped someone else had given…

  • I have a confession to make: I didn’t quite “get” Criola’s Winter Songbook, for a long time. Looking back, though, this season, I’ve been blessed with many things in life and one of them has been running this blog. Never have I been so inspired, influenced, and devoted to maintain this running conversation with people…

  • That intersection between organic and inorganic has been something I’ve been chewing on lately. What makes something one or the other? I’d argue that something as simple as the introduction of sampler instruments revolutionized the way we can make that argument immaterial.

  • There’s something about fall that makes me play Hiroshi Yoshimura’s music much more often. On prior albums like Green, A・I・R (Air In Resort), and Soundscape 1: Surround, Hiroshi perfectly seized on exactly what “environmental music” could be and how it could differ from BGM (background music). No longer mere ambient music, it was decidedly rich, melodic experimentation…

  • Maybe Harry Hosuono was onto something? Mishio Ogawa, the “Trance” part of the Love, Peace, & Trance equation…and also ex-lead singer for Japanese experimental New Wave act Chakra…seemed like an odd choice to be one of the three vocalists for his eclectic and forward-thinking quasi-ambient techno group of the same name. However, judging by the…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic