england
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From French record label Nato comes another wonderful batch of Jazz not Jazz. Look At Me, the debut from English multi-instrumentalist Terry Day, is unlike little else he would be known for. Surprisingly romantic, ragged but in a very smooth, put-together way, and (on the great bits) sounding not that dissimilar to the work of Paul…
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It’s hard for me to separate Mick’s past from the work you’ll hear in Titles. Still impossibly underrated and unaccounted for — compared to the actual influence he put in motion — there is just something truly unique found in the late Mick Karn’s bass technique, musicality, and ideas. Titles, his first solo work after leaving Japan,…
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My mind races trying to describe Chinatsu Kuzuu’s music. Should I share with y’all my first impressions? First, I hear the voice of June Tambor as transferred to a young woman (around her age) in Tokyo. Then, I hear the Gaelic fantasy music of Horslips, mutated through the introduction of digital polysynths, drum machines, and…
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I’m still floored that such an album like Pictures exists and that it exists in such an arrested state of discovery. In 1983, Andy Stennett and John Rocca, of influential British electro-funk group Freeez, decide to hide away from their record label and sure chart-topping success (courtesy of their infamous/ubiquitous hits, “Southern Freeez” and “IOU”)…
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One of the ultimate statements in sleaze. Some Discog commenter put it better than I ever would: “If cocaine were music, this album would be the result.” Helmed by German post-disco mastermind Zeus B. Held and a post-punk quartet from Birmingham, England, Fashion, Fabrique brought them together to create something that vastly outstretched their original influences. Fabrique saw them…
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So cool and forgotten. Very little is explored from such an integral member of the Art of Noise, that’s what makes this work enticing and exciting. Anne Dudley’s bite-sized background music for audio visual, television, radio, films, jingles, slide presentations, and advertising – part of a larger, less interesting “muzak” series – achieves exactly what…
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“Forget your sorrow let’s start livin’ for today” those are the sublime spliced verses that kick off this monumental piece of house music. Before such a word “house music” even existed only a few people were hip to the possibilities inherent somewhere deep in the mind of English soul band Imagination. Night Dubbing was the sound of Imagination stretching to…
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It still boggles my mind that Quiet! was in fact crafted by the same artist who sang in the proto-Asian Underground hit “Ever So Lonely“. A severe departure from the proto-Asian Underground Pop she’s known for, Quiet! showed Sheila Chandra working untethered, trying to go beyond the Orientalism of her past work and push it forward in directions that weren’t entirely…
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How do you describe a band like Frank Chickens? Led by performer/artist/musician/animator/singer/theater producer Kazuko Hohki and her sister-in-arms Kazumi Taguchi, Frank Chickens still remains unlike any band out there. Using Japanese kitsch and asian fetishization as a means to facilitate some truly subversive culture prodding and oddly imaginative musical explorations, Frank Chickens’ debut We Are Frank Chickens shows you a small…
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There’s a vastly more interesting topic hidden in full view of Claire Hamill’s unique and brilliant 1986 release: Voices. What is Voices? It’s an utterly fascinating bit of art pop, a middle ground of Cocteau Twins and Kate Bush -stylistic music, that combines forgotten English Folk with nomadic, electronic dream pop. Composed entirely free of instruments other than her own…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic