Folk

  • “Wherever I’ve been and gone, wherever I have gone, the blues are all the same…”, truer words could not exist to place Lee Jung-Sun’s music somewhere under the sun. Over a decade removed from his debut, it’s what drove his most unlikely masterpiece 9집 雨 (which roughly (?) translates to: A House Rain “Rain” —…

  • “Now and again, we meet for tea. This is our universe: cups of tea. We have a beautiful cosmos, you and me.” It’s not often that we’re confronted with the secrets of life. It’s not often that we’re presented with such revelation (laced with equal parts comedy and profundity). A zen kōan said with a…

  • Here’s something that not many are afraid to admit: a lot of us hate to be lost in the wilderness. It’s its metaphysical definition that many people struggle with. Just who enjoys being an outlier in the world? Yet, there are some of us, like Kim Doo Soo who’s best work comes when remaining steadfast…

  • I think, if I’m going to try to “sell” something to you, I should try to to sell it to myself first. For me, what instantly “gets” me about Chen Ming-chang’s music occurs around two minutes into “淡水騎車 (Riding In Danshui)” off this, his soundtrack to Hou Hsiao-hsien’s Dust In The Wind. 

  • For those that don’t believe we can there’s a way to engage with the outside world while stuck inside one’s inner space, Awa Muse‘s second compilation: しおのみち ニの巻 (Shio-No-Michi) Vol.2 proves there are other ways to meet it there.

  • Once again, we’re back in England for another journey. If you can entertain me just one more time, I’ll share with you some of the music I feel brings out the best colors of autumn. On this mix for LYL Radio I wanted to take you to those early Saturday mornings at home in November…

  • One of my favorite things to see on an album are liner notes listing guitar tunings used within. As a musician myself, I see a certain humility in doing this for others, because in essence you’re exposing some of the magic you had to conjure up for others. I think doing so, I think you’re…

  • Somehow, it’s becoming a recent recurring theme of mine to highlight outside the box music creators. Some of my favorite albums are those by artists whose first creative outlet isn’t exactly music per se. On Poema A Dos Voces we’re treated to such a spectacular vision by Basque poet, sculptor, psychologist and singer-songwriter, Ana Benegas…

  • “Inspired ethnological musical exploration from an unlikely source.” — what better way to describe Michael Atherton’s Windshift? Michael Atherton might best be known in Australia as one of it’s leading scholars and practitioners of Aboriginal and Pan-Pacific music but somewhere in his history lies a fantastic composer/musician who understood a fourth way to bridge all…

  • One hasn’t lived until they’ve experienced the force of nature that is Takio Ito’s voice. If you’ve encountered the soul stirring vocal stylings of Nusrat Fateh Ali Khan, Cesária Évora, Jacques Brel, and James Brown, you’ve come close to experiencing the sheer power of Japan’s own “folk” icon. Takio Ito’s TAKIO-ソーラン節 is an undisputed classic…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic