Funk

  • I’m afraid people might get the wrong impression when they listen to the opening track from Michiko Akao’s Yokobue. What’s there to say about “般若波羅蜜多 – Prajna Paramita”? Manning the iconic transverse flute of Japan, the yokobue, Michiko creates a dark jazz funk piece that somehow manages to mix a vocoder in, in a way…

  • When Yasuaki Shimizu’s Mariah split up their story appeared to end there. Marica’s Jellyfish 海月 proves that Mariah was just a small part of the bigger slice of Japanese Pop music these same members created, that still merits rediscovery. Produced by ex-Mariah members Masanori Sasaji, Jimmy Murakawa, and Morio Watanabe, Jellyfish 海月 finds vocal jazz…

  • Leave it to me to create a post that’s not “evergreen” for a record that positively radiates with fun. Imagine Parliament set their mothership to Japan, and along the way picked up Gang Of Four, then decided that they really like techno-kayo music. Well, The Voice & Rhythm, led by the late, great vocalist and…

  • Let’s unwind for a moment. When I haven’t been busy occupying my days with writing, my mind and body has literally been going to the beach to unwind. Somehow, I’ve lucked out and am living the coastal lifestyle (without actually living on any sea coast). While I would say it takes a change of mind…

  • First, a huge thanks to Kyle for sharing this wonderful album with me. Too smooth for a Disco Tehran party he dj’ed, I can understand why he thought its sound might be appreciated elsewhere. From the first moment you put on Ziad Rahbani’s Houdou Nisbi (زياد الرحباني) you feel an instant pull that just floors…

  • Who knows what would have happened in France if New Yorker Valli Timbert hadn’t met filmmaker Philippe Bourgoin, at some Chelsea Hotel, in the late ‘70s? Philippe, not pictured on the cover of Chagrin D’Amour’s self-titled debut, was the French artiste who had fallen in love with rap early on in 1979. Then, via The…

  • Thatcher’s England must have been a messed up time to grow up in, right? At the height of her pull, Essex group, I-Level, released a wonderfully romantic, uptempo electronic-R&B single called “Minefield” near after England’s ridiculous war with Argentina and promptly got banned from the radio. Trying to go for their third, hit single, with…

  • Here’s another album I’ve been holding off forever, waiting just for the right time of the year to share it. Kyoko Furuya’s 冷たい水 (otherwise known as Cool Water) embodies everything that was intriguing about the influential Japanese label Better Days’ short-lived existence. Kyoko Furuya’s 冷たい水 features a kaleidoscopic vision of what Japanese Pop can be…

  • Someone, somewhere, (maybe a massive Polish Jazz aficionado), is absolutely, positively going to hate me for doing this: but I have to profess/confess my absolute love for Urszula Dudziak’s Ulla. Riding that same copacetic wavelength as Maki Asakawa’s Nothing At All To Lose, Urszula Dudziak’s Ulla transformed someone known as the Yoko Ono, Linda Sharrock,…

  • Life is something special, isn’t it? That’s something you can palpably feel in the music of Larry Levan. When he introduced music to the dancefloor he reimagined the music in a way the originals (possibly) never imagined. In a way he made that music everyone’s. Was Gwen Guthrie’s music ever truly hers? Was it ever…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic