fusion

  • I don’t know about you but for me certain albums are colored by memory. Whenever I put on Ricardo Fabini’s Cidade De Cristal it brings me back to a certain difficult time I had to go through. On those days where I felt a bit aimless, a bit withdrawn, all over the place – yet…

  • Sometimes there isn’t any time better than the right time to share something. And in my case, it’s now or never, for East Pulse’s Asian Mirage, a fascinating curio or one-shot release by Japanese jazz flutist Toshiaki Yokota and multi-instrumentalist extraordinaire Chito Kawachi, who we’ll get around to later. 

  • My apologies to all those readers expecting a well-researched entry about Mélange’s Passion To Poison. It appears I might fail in myriad ways today. I say that because just like many of you, I too can get easily sidetracked when exploring certain rabbit holes. And in today’s case, it’s the way we or others feel…

  • Who knows where the time goes? Because, apparently, lately it’s me. Through some fated collusion of circumstance and consequence, both personal and external, I’ve spent most of my day tied to a phone, tied to things out of my control. With the holidays – at least in America – upon us, what precious moments I…

  • Jazz. Why even bother? At least, that’s what I ask myself when I choose to share something from that realm. Of all musical rorschach tests, it is Jazz, I feel, that seems to feature prominently as the one. Does one highlight its technical proficiency (and thereby, turn off a large part of the readership)? Does…

  • Warning: today’s post might be mercifully concise. Not so recently, while scouring through my digital album collection, I spotted this interesting release buried deep in my recovered hard drive – Koono’s Senegal. At first, I wondered, was this something I found while on an African music kick? Firing up my laptop I heard something a…

  • Traveling. That’s all I can think about now. I won’t bore you with too much autobiography but life has been quite stressful lately. So, when I put on music – or when I share music – I want it to take me (or us) somewhere. And lately, its cardinal points have taken me to the…

  • Recently, while dabbling in the world of wine reviews, I’ve been ruminating on a term that I believe would be well-adapted for use in the music criticism realm: QPR. “QPR”, or quality-to-price-ratio, is a term used by wine aficionados to denote how much bang for your buck inexpensive wines can provide. While it’s awfully rich…

  • Once again, I’m just here to add overtones to others’ resonances. In this case, it’s to add something to further describe Carioca guitarist Ulisses Rocha’s Casamata. It’s not lost to me that somehow when I’m writing about this release, we’re all sharing a bit of the same seasonal weather. In the Northern Hemisphere this part…

  • Who says you need a trip out to the country to get into the spirit of Akira Inoue’s Anne: Dreaming an Island (The Light and Wind of Prince Edward Island) 夢みるアンの島 ~プリンス・エドワード島の光と風~? When I speak of road-tripping records, I speak of records just like this one, one that accepts all the conceits of the “road”…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic