instrumental

  • Be honest. How many of you know someone (or are friends or acquaintances) with a certain somebody that in the way they act, the way they dress or think, seem not of this era? I keep thinking of this thought when I go back to Toshihiro Nakanishi’s music and this selection: You Make Me Blue.…

  • I imagine, much like me, many of you have a peculiar relationship with Christmas (and winter holidays, in general). Yes, this time of the year can appear to be one marketing blitz blowing past another. Yes, religion can rear its inexplicable head and be injected into places one might not want to experience it. Yes,…

  • I hate to say this but this review might be one of the lighter ones. Not because of the album itself – the whole package is truly wonderful (a mix of nostalgia, elegance, and a certain uniqueness, tying quasi-ambient, quasi-neoclassical music with gorgeous photography of Hokkaido) – but because of the lack of information about…

  • God sure does move in mysterious ways. Listening to Phil Keaggy’s The Wind And Wheat is a fitting testament to that. Only in our realm can an autodidact, Christian musician from Youngstown, Ohio, who only has the faculty of nine of his ten fingers, be more than just an unsung guitar hero (perhaps the “greatest”…

  • You’re probably getting tired of reading this but….here’s another big thank you to someone else: here’s one for Austin from Incidental Music for steering me in the direction of today’s focus, Junichi Kamiyama. What he exposed me to was the healing music of Junichi Kamiyama featuring Mr. Kamiyama’s patented “tender sound”, displayed particularly well in…

  • Once again, I’m just here to add overtones to others’ resonances. In this case, it’s to add something to further describe Carioca guitarist Ulisses Rocha’s Casamata. It’s not lost to me that somehow when I’m writing about this release, we’re all sharing a bit of the same seasonal weather. In the Northern Hemisphere this part…

  • ♫♩♩♪♫?…just more of that hammock music. You know me, if you’ve followed this site for a while, you’re probably aware by now how this is the time of the year I dedicate to promoting my favorite easy-going music. Usually instrumental, completely breezy and tropical, it follows a trend I believe in. It’s about thinking of…

  • Yes, it does look like it’s that time of the year again. When the dog days of summer fade into the early turn of fall, I tend to tune into music that falls in between seasons and moods. And I can’t help but to think that it’s actually my favorite kind of music. From Shinsuke…

  • Interior music. It seems that this is it, everyone. We’ve spoken before about Hiroshi Yoshimura’s  Soundscape 1: Surround, our introduction to Misawa Home’s foundational environmental music series for Japanese prefabricated houses. You’ve probably heard elsewhere Yutaka Hirose’s entry into the series, a collection of peaceful electroacoustic minimalist pastorales aptly dubbed Soundscape 2: Nova. Then, somewhere,…

  • Sometimes I think various music reviewers and blogs bandy the term “floating” a bit too loosely with music. What some might think of as a floater seems to be a bit lightweight to me. However, in the case of Hiroki Komazawa’s Feliz, no other term comes closest to describing it. Here there is just one…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic