There’s an appeal to Katsutoshi Morizono’s 4:17 p.m. that can only be heightened, or fully appreciated, during summer, our current time of the year. Cycling from truly elegant compositions – a frequent, recurring theme lately on the blog – 4:17 p.m. mixes jazz fusion, post-bossanova, reggae, light mellow/City Pop, and even experimental bits of New Age […]

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