minimalism

  • It’s perhaps uncommon knowledge that the best marriages (and relationships) are those comprised of two individuals coming together not in spite of their differences but because of their differences. One can clearly hear this in practice in the nearly telepathic playing of Osaka Japanese New Age guitar duo, Gontiti. In the past I’ve written a…

  • There’s something I really admire about Naples’ own Teresa De Sio’s way of thinking. When I went around digging through interviews to find a little more about the backstory for 1988’s Sinderalla Suite, I encountered Teresa’s fuller story. In it, Teresa painted a much bigger picture than I was expecting.

  • When we last left off discovering the “comfiest music” on earth (all self-appointed, of course), Gontiti was gently surprising me both at a Japanese hair salon and, later on, at home discovering their little known, early experimental work. Today, I go even further back, to their beginnings as a duo ever more in tune with…

  • Tenon

    I might be stringing myself out there but it’s due time for me to bring up the unbridled, unheralded genius of Seiji Toda — and to be more specific: Real Fish’s Tenon. Much like Scritti Politti’s Green Gartside, one listen to a Seiji Toda group — Shi-Shonen, Real Fish, or Fairchild — or his production…

  • Magical Computer Music

    Am I allowed to punt on this one? Literally, it’s all there — right on the album cover. Magical computer music by Magical Power Mako. I’ll never top this description. Just one look at the album cover puts you there — a smoldering Makoto Kurita surrounded by a shoji panel, two TVs playing VHS tapes, two…

  • Is it Jazz? How many times can one ask that question. What exactly constitutes Jazz? Genji Sawai’s Sowaka stretches this idea limit. Myself, I think it’s exactly what Jazz should be: dangerous, provoking, and exploratory. A fusion of Japanese free-jazz with New York noise-punk shouldn’t work, then, yet again, who could ask for more? On…

  • Série Réflexion 1

    Here’s another worthy album for the canon of Japanese minimalism, Oscilation Circuit’s Série Réflexion 1. Released in 1984, by Sound Process, ostensibly a new part or truncation of Satoshi Ashikawa’s “Wave Notation” series, Série Réflexion 1 perfectly presents another facet of the label’s promotion of minimal music. This time around we get a feel of livelier stuff than any of…

  • paolo

    Man, what a world to we live in. Just this year Italy’s Archeo Recordings reissued Paolo Modugno’s intriguing debut Brise D’Automne. Once a member of Italian multi-media performance group O.A.S.I., what turned as a love for Middle Eastern and African music transformed into the exploration of new ways to interconnect the electronic with the acoustic…

  • ot much is known about the Japanese female/male musical duo Tolerance made up of Junko Tange and Masami Yoshikawa. Understatement of understatements, even 36 years later the forward-thinking slab of music a few people know of as Divin has yielded little in terms of discovery on how the duo came to be, and (more importantly) why/how they…

  • rquesta de las Nubes, The Cloud Orchestra, isn’t really an orchestra, that we know for sure. What it is is a trio of Spanish musicians aiming to make music that was unlike anything else. While researching the history behind the band I ran across interviews by founder Suso Sáiz mentioning how even they themselves didn’t know the type…

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