mutant funk

  • FAD: FAD! (1981)

    First things first: Please go to Noka’s Youtube channel and hit “subscribe” to thank them for sharing this first. None other than sharing other fascinating nuggets of Japanese indie rock, punk, and techno, he made me make a snap decision. In light of all that’s going around us, rather than share another bit of (perhaps)…

  • Was the world ever ready for Thomas Leer? Listening back to Thomas’s The Scale Of Ten one can hear all the potential there. It’s this theme of tweaking a recipe. Here it was to make his once abrasive, experimental blue-eyed soul into a chromed-out beast, outfitted in Fairlight CMI clothing, permeating with giant-sized hooks. In…

  • Faceless and nameless, but not without their charms. Library by Exotics is a fantastically twisted album that orbits between the worlds of power pop and electronic mutant funk. You’d think such a one-off would come out of nowhere, but there were seeds of who the Exotics were (and what they aimed to do) elsewhere.

  • How do you portray someone who is unrepresentable? French composer, artist, and songwriter Thierry Matioszek’s Matioszek provides a distorted view of the many moods of Thierry. I thoroughly enjoy it, perhaps, knowing that it’s nearly alien to the other releases Thierry had done before (and perhaps to the things he’d continue elsewhere or be more…

  • Leave it to me to create a post that’s not “evergreen” for a record that positively radiates with fun. Imagine Parliament set their mothership to Japan, and along the way picked up Gang Of Four, then decided that they really like techno-kayo music. Well, The Voice & Rhythm, led by the late, great vocalist and…

  • First, a huge thanks to Kyle for sharing this wonderful album with me. Too smooth for a Disco Tehran party he dj’ed, I can understand why he thought its sound might be appreciated elsewhere. From the first moment you put on Ziad Rahbani’s Houdou Nisbi (زياد الرحباني) you feel an instant pull that just floors…

  • jeanmichel

    Holding fast to some heartfelt theory, I do believe the best musicians aren’t always, exactly “musicians” themselves. Joining us today in our personal, illustrious group which includes Steve Hiett and Brian Eno, is native Frenchman Jean-Michel Gascuel. In the span of two years, from 1982 through 1984, Jean-Michel Gascuel released two albums C’Est L’Premier Pas…

  • Is it Jazz? How many times can one ask that question. What exactly constitutes Jazz? Genji Sawai’s Sowaka stretches this idea limit. Myself, I think it’s exactly what Jazz should be: dangerous, provoking, and exploratory. A fusion of Japanese free-jazz with New York noise-punk shouldn’t work, then, yet again, who could ask for more? On…

  • Fabrique

    One of the ultimate statements in sleaze. Some Discog commenter put it better than I ever would: “If cocaine were music, this album would be the result.” Helmed by German post-disco mastermind Zeus B. Held and a post-punk quartet from Birmingham, England, Fashion, Fabrique brought them together to create something that vastly outstretched their original influences. Fabrique saw them…

  • Simply phenomenal. That’s a great word to describe Chris Modell’s debut: Equasian. Phenomenally hard to describe. It’s an album released exclusively in Japan by an American artist who got his start translating Japanese lyrics into English for them, and used that entry way to get repaid back, by said Japanese artists, by allowing them to…

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