post-bossanova

  • Who knows where the time goes? Because, apparently, lately it’s me. Through some fated collusion of circumstance and consequence, both personal and external, I’ve spent most of my day tied to a phone, tied to things out of my control. With the holidays – at least in America – upon us, what precious moments I…

  • Let me be forthright, I wish I had more info to share about this album. Doris Monteiro’s Agora, released in 1976, was a revelation then as it still is now. It’s a funk album, it’s a chanson album, it’s a detached post-bossanova album, it’s a whole bunch of other unclassifiable stuff, but first (and foremost)…

  • Don’t stop, can’t stop, the dance. Something else to fill your expanding Balearic canon: Randy Tico’s Earth Dance. Not quite jazz, world beat, tribal, or New Age, in 1990, in the dead heat of summer, Randy released on the aptly named Higher Octave Music record label a burner of a New Age album that put…

  • Dracula, I Love You

    Periodically, I like to dive into my old “A Track, A Day” blog archives for music I’ve written about before but I feel still hasn’t gotten its fair shake. What better time than Halloween to revisit Tuca’s (real name Valeniza Zagni da Silva) curious masterpiece: Dracula, I Love You? Curious because it’s unlike much released at…

  • Lightness, sweetness, and melancholia those are things that define Tom Jobim’s career. You don’t need me to regurgitate a whole Wikipedia page to stress his heralded place in Brazilian music history. Together with João Gilberto, Antonio Carlos Jobim allowed for things like space, quietness, and off-beats to have a place in pop music. Everything we…

  • There’s an appeal to Katsutoshi Morizono’s 4:17 p.m. that can only be heightened, or fully appreciated, during summer, our current time of the year. Cycling from truly elegant compositions – a frequent, recurring theme lately on the blog – 4:17 p.m. mixes jazz fusion, post-bossanova, reggae, light mellow/City Pop, and even experimental bits of New Age…

  • Heady, windswept, gauzy saudade that could only come from someone like Sonia Angelica De Carvalho Rosa, are things that don’t quite reveal themselves when you hear Samba Amour. Sonia Rosa had an unlikely musical career. Although she was born in São Paulo, Brazil it wasn’t there where’d she stake her claim to fame. A precocious child, she taught herself Joao Gilberto’s songs when…

  • Jon Lucien Here’s another rare groove. Its the groove of West Indian-born (Virgin Islands) Jon Lucien. He was quite an odd musical bird. His roots were in jazz, but he often trecked in the sounds of Brazil, funk, and his own native tropical folk sound. What he’s known for is his brilliant baritone vocalizations and…

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