post-rock

  • There’s a reason that art can transcend time, space, and vocabulary. It does so because it can speak to something innate born within us. Perhaps, it’s that ability to empathize, to experience shared emotion through song. It’s what feeds any musician to put their thoughts on instruments and express themselves to others. And, as shown…

  • The Green Chinese Table

    This one is a bit special. Last we heard from Seigen, he was introducing us to his very jazz-influenced take on Japanese New Age music. On the follow up to that epic debut, The Green Chinese Table, we find Seigen dividing his time up between recording sessions in Tokyo and New York City. It’s impossible…

  • Clowns to the left of me, jokers to the right, here I am, stuck in the middle with Shadowfax’s The Dreams Of Children. Clearly, a dividing line between their more celebrated/known early work as Windham Hill darlings of jazz/fusion and their later work as ultra-smooth New Age group, The Dreams of Children (seems to me)…

  • killing time irene

    It is with great joy that I’ve decided to share Killing Time’s Irene. Undoubtedly one of the toughest groups to describe on this hear blog, Killing Time hovers among so many styles and moods that to render them one thing or another would miss the point of their existence. Irene, though, in 1988, perfectly placed…

  • We’re in the wilderness now. If nothing puts you there, Takami’s 天使行 Y. De Noir Ⅱ will. Playing out like a modern Japanese update on Nico’s Marble Index or Desertshore, Takami’s debut album sounds like little else. 天使行 roughly translates to “Angel Line” giving you, the listener, a clue into what the theme of the album is about. Were these songs…

  • traight from Duisburg, Germany comes the impressive debut from Klaus Hoffmann-Hoock (otherwise known as Cosmic Hoffmann) on Klaus Schulze’s wonderful Innovative Communication record label. Music For Paradise was Klaus’s attempt to present his spiritual journey from space-disco cosmic man to “woke” Eastern-influenced musician, via various forms of musical movements. Originally titled “Music for Meditation”, somewhere, along its phase from demo…

  • rquesta de las Nubes, The Cloud Orchestra, isn’t really an orchestra, that we know for sure. What it is is a trio of Spanish musicians aiming to make music that was unlike anything else. While researching the history behind the band I ran across interviews by founder Suso Sáiz mentioning how even they themselves didn’t know the type…

  • I ran into a predicament when sussing out this post. How does one describe MUJI if one hasn’t actually experienced it? It’s entirely easy to simplify what this brand is by calling it the Japanese IKEA and call it a day. However, from what I can tell, that’s not really what MUJI is, or stands for. And for…

  • What happens when a Japanese minimalist band gets signed to the American New Age juggernaut that is Windham Hill? Led by Daisuke Hinata, Interior remains an interesting piece of this label’s history. Few examples exist of William Ackerman’s roster ever attempting to tap into the decidedly more electronic, ambient New Age that Japanese labels like Music Interior or…

  • Belatedly, it appears that the best is yet to come. Truly no other month can be as trying, and as most worthy of our respect and humility, than this shortest stretch of the year, February. Compact to the point of becoming itself a transition to something greater, everything it does; throwing the environmental book at…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic