soundtrack
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Fall is something else, isn’t it? As beautiful as the season is – simply one look outside can affirm this – there’s always something in our communal, lived-in experience that’s tinged with a certain longing and/or nostalgia. Perhaps, it’s a certain realization that nothing is permanent and everything pertinent has an end. With this thought…
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Be honest. How many of you know someone (or are friends or acquaintances) with a certain somebody that in the way they act, the way they dress or think, seem not of this era? I keep thinking of this thought when I go back to Toshihiro Nakanishi’s music and this selection: You Make Me Blue.…
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I think, if I’m going to try to “sell” something to you, I should try to to sell it to myself first. For me, what instantly “gets” me about Chen Ming-chang’s music occurs around two minutes into “淡水騎車 (Riding In Danshui)” off this, his soundtrack to Hou Hsiao-hsien’s Dust In The Wind.
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Sometimes telling the story of something feels like it won’t match the quality of the source material. In my case, its detailing the music and history behind 中國經典名著電影音樂2: 怨女 (otherwise known as the “Rouge Of The North” soundtrack) without falling prey to the trappings of Orientalism. Ambient, mysterious, and wickedly incisive, it’s this work by…
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Ambient. New Age. Japan. The tags almost write the post itself, right? Yet, we still have to talk about this intriguing turn by Akira Mitake. Akira Mitake’s Himawari (or Sunflower) was released in 1987 as a complement to, don’t quote me on this: NHK’s 8-part documentary, 日本～その心とかたち～, Japan – Its Heart and Shape, a historical…
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Don’t you just love albums that immediately hook you in? From the get-go 秋月 (Music From Autumn Moon) by Tats Lau Yee-Tat is music with a palpable “it” feeling you can never quite shake. Ostensibly a soundtrack album for Clara Law’s misunderstood film, Qiu Yue, this release functions more than that, perfectly capturing the worldly…
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First and foremost, let me start with an apology. It might be that my review of Joseph Chan Wing Leung’s work and his career might span longer (or shorter) than the actual album, Milk Of Love (母愛), you’ll hear today. Though, in around 20 minutes you’ll get a taste on this album of the esoteric…
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Once again I’m back in front of the tabula rasa. And once again I’m challenged with where to begin. The choice is now obvious, of course, it’s in the ideas of a “new world music” by Chinese composer Cong Su. And it is his soundtrack to the movie 美夢成真 (aka Dreams Come True) that will…
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I’ve gotta admit. Few albums stump me to describe. Of the few that do, AQ! Ishii’s and Hiroko Taniyama’s 楠劇場 オリジナル・アルバム (Kusunoki Gekijou) must be up there in my personal canon. Much like Mariah’s うたかたの日々/ Utakata No Hibi, Aragon’s self-titled debut, and Godley & Creme’s Consequences, to name a few close brethren, so too does…
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How does one get into the surprisingly prolific work of S.E.N.S. made up of the duo of Akihiko Fukaura and Yukari Katsuki? You start at the very beginning. Japanese readers probably don’t need me to rehash all this old history, but seeing as how S.E.N.S. is practically an institution (if not an actual company) in…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic