tribal

  • Although the mind behind rotating Southeast Asian supergroup Asiabeat has always been gifted Malaysian percussionist (and Fulbright Scholar) Lewis Pragasam, on Spirit Of The People, the heart of Japan moved him towards a sound that’s quite indefinable. Decamping in Singapore, in 1991, Lewis was joined by Makoto Matsushita, Chito Kawachi, and friends Mohd Nor, Nantha…

  • Can I say something? I’m beginning to empathize more with the creative mindset of one Henry Kawahara than with one of Hiroshi Yoshimura. I say this not to inflame any passions but because I’m appreciating how he comes to terms with creating his kind of music. Far from the studied, mannered, ambient, Japanese kankyo ongaku,…

  • Uman, pronounced (YOO-mahn), was a unique group. Vacillating from many visions — world music, ambient, jazz, and many uncategorizable things — this French sibling duo has never been a group to easily pigeonhole. Chaleur Humaine, their debut, I think, is a perfectly birthed idea of what they can do. Chaleur Humaine exists in that gray…

  • I’m at a loss what to classify the late, great Hideki Mitsumori’s 彩 Colours as. It’s obviously heavily indebted to world music and to all sorts of ethno-music flavors but it’s completely digital with no acoustic instrument in sight. Much like Apsaras, the previous band he led, keyboardist Hideki Mitsumori trades in Japanese New Age…

  • A call to worship, that’s what do’a, the original Arabic-Persian name for New Age group Do’ah means. World Dance by Do’ah slots into that imperfect crevice where good ideas fall prey to bad ones (due to appearing over earnestness) look for one false move to write off the whole shebang written as unnecessary/dated. If you’ve…

  • For those looking elsewhere for inspiration, you can turn your heads away from Japan, for just a moment. Let’s look back toward these United States. Here’s another gem from the forgotten Music West record label. Perhaps that label’s crown jewel, Kenneth Nash’s A Touch Of Kenneth Nash: Music From A Far Away Place epitomizes the…

  • Those drums! Slagerij Van Kampen’s A Long Walk On A Short Pier is a must have for those who appreciate purely percussive music. A brilliant mish mash of all sorts of “tribal” music, Slagerij Van Kampen’s A Long Walk On A Short Pier takes you out of their Dutch roots and transports you to the…

  • And now, joining Genji Sawai in the next round of jazz not jazz, is the immensely talented drummer Hideo Yamaki. In essence, Hideo Yamaki’s Shadow Run, released in 1993, covers similar creative territory. However, the output here remains vastly different, even if some of the same cohorts help Hideo flesh out his own vision. Produced…

  • Maybe Harry Hosuono was onto something? Mishio Ogawa, the “Trance” part of the Love, Peace, & Trance equation…and also ex-lead singer for Japanese experimental New Wave act Chakra…seemed like an odd choice to be one of the three vocalists for his eclectic and forward-thinking quasi-ambient techno group of the same name. However, judging by the…

  • Released on Wacoal Art Center’s NEWSIC label, Yoshiaki Ochi’s Natural Sonic shares some of the same magic heard in the music of fellow roster mates Yoshio Ojima, Motohiko Hamase, and Mich Live. This time the aural trick would be one of the most simple of them all. Largely composed, conceived, and performed on organic material…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic