Diego Olivas
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As the year begins to draw to a close, my mind goes back to some of the people we lost this year. I’m thinking of artist’s artists like Alan Rankine, Pharoah Sanders, Tina Turner, and YMO greats (like the sorely missed Ryuichi Sakamoto and Yukihiro Takahashi). In this year full of great loss, at the…
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15 years can fly by. Yet, 19 years can seem like a blink. You see, it was in fact 19 years ago — if one can completely trust the internet — when a germ of a thought and of a vision was being created, one piece at a time, when Ricks and April were hand-painting…
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Sometimes the hardest thing isn’t putting words on screen. Sometimes the hardest part is finding space to write about a certain piece of music you’re not completely certain others will understand (or have the patience for). Unfortunately, you know me, and you know I have patience to spare and more than enough time to choose…
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Is it: “Everything new is old again?” or is it: “Everything old is new again?” Before I left for my visit to Japan, I was freshly reminded of this paradox by (friend of the blog) Chris Morris’s YouTube share of an autumnal neo-folkloric favorite of mine: Begoña Olavide’s Salterio – one I reminded myself to…
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Is it wrong to feel nostalgia for a past you never lived through? With the rise of City Pop and other genres or media evoking some sort of hauntology, I keep trying to purposefully separate myself from being too backwards-looking, for fear of running the risk of falling through a kitsch trap many fall in.…
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There’s nothing like youthful naivete is there? I fully believe it’s that ingrained spirit to want to shake things up and light your own path that forces the spirits of the past to look forward to the future. It’s that kind of spirit you hear positively soaring in the unclassifiable music of Koto-Za and their…
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When autumn comes rolling in, I always welcome a fresh wind that shifts my focus elsewhere, towards music with a more folkloric bent. And for some reason, I’m always surprised to be unsurprised by how much there is to harvest from the Irish or Gaelic diaspora. As leaves start to turn and a certain seasonal…
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It’s pretty hard to write about Fukushima’s Karak without not waxing a bit nostalgic. Over the course of two records – Silent Days (サイレント) and Flow (フロウ) – all the music they created hovers around a certain mood and a certain period. For me, their tracks like “明日ヲ見ル丘” and “ゆめのスウプ” instantly conjure up all these…
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Some of you might not realize it but It appears that lately I’ve been exploring a bit of musical nostalgia. For me, it’s that sweet spot in the mid ‘90s when the rise of a harder form of rap music sort of “disrupted” the whole music industry, causing it to further gentrify itself, compartmentalizing whole…
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Sometimes I have to catch myself. Do I really want to go down the rabbit hole, searching for information…not for some brilliant bit of music…but for…a well-off music production company? If you, like me, have a bunch of records with literally no-name behind who created them, what do you do when you’re staring down Toyo…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic