album
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Here’s a thought bubble: “When have you gone too far down a rabbit hole?” My answer: “When you start finding yourself flogging a dead horse.” So, before, excuse the pun, I dig any deeper: How many moons ago was it that I went down one exploring the nocturnal pop music influence of Glasgow’s own The…
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If a season of changes means anything, it means that at least for this website, we’re heading towards some new direction (one influenced by the livelier, easy-going, temps of springtime). You see, it’s around this time of the year that my mind tries to share music that’s a snapshot in season that captures, perhaps, a…
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Surely, he must have known. That’s all I can think about when I listen to Katsuhiko Nakagawa’s memorial album, Again, Me… Released just months after his untimely death, this best-of collection served as a memory of a young artist who seemed just at the cusp of doing one other great step forward. It’s not often…
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Where does one even start with Anthony Wong? Know that what I’m picking from his diverse catalog is just a snapshot (perhaps my favorite of his, 1994’s 明明不是天使 (I’m No Angel)) of what continues to be a fascinating career and life. And for those that know him best (and better), this is just an introduction…
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Be honest. How many of you know someone (or are friends or acquaintances) with a certain somebody that in the way they act, the way they dress or think, seem not of this era? I keep thinking of this thought when I go back to Toshihiro Nakanishi’s music and this selection: You Make Me Blue.…
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I think, if I’m going to try to “sell” something to you, I should try to to sell it to myself first. For me, what instantly “gets” me about Chen Ming-chang’s music occurs around two minutes into “淡水騎車 (Riding In Danshui)” off this, his soundtrack to Hou Hsiao-hsien’s Dust In The Wind.
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I hate to say this but this review might be one of the lighter ones. Not because of the album itself – the whole package is truly wonderful (a mix of nostalgia, elegance, and a certain uniqueness, tying quasi-ambient, quasi-neoclassical music with gorgeous photography of Hokkaido) – but because of the lack of information about…
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Recently, while dabbling in the world of wine reviews, I’ve been ruminating on a term that I believe would be well-adapted for use in the music criticism realm: QPR. “QPR”, or quality-to-price-ratio, is a term used by wine aficionados to denote how much bang for your buck inexpensive wines can provide. While it’s awfully rich…
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How many intersectional studies can one make? Yes, all of them, it seems for Jin De-zhe. It’s not often you get to write about a Chinese physicist of ethnic Korean descent who moonlights in making gorgeous ambient folk music recorded in Beijing sung in Cantonese Mandarin (editor’s note: sorry for the mix-up) for the Hong…
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Would you mind if I share something simply for no other reason than: it’s beautiful? From the packaging to the music, I have to say Tomoyuki Hayashi & ForestIII’s The Forest is just plain pretty. If you had your hands on the physical copy, you can lift up the CD cover and feel the same…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist Mix neo-folk neoclassical new age walearic