1984

  • It’s always a good sign when you’re out of step with whatever’s out there. Someone who really lived this idea was one Robin Scott. Robin Scott & Shishika’s Jive Shishika! was a curious release that got shelved by a company who had no idea what to think of it. Before Paul Simon’s Graceland or Peter…

  • First, a huge thanks to Kyle for sharing this wonderful album with me. Too smooth for a Disco Tehran party he dj’ed, I can understand why he thought its sound might be appreciated elsewhere. From the first moment you put on Ziad Rahbani’s Houdou Nisbi (زياد الرحباني) you feel an instant pull that just floors…

  • Ya Viene el Sol

    What a shining moment. It took Mecano two albums to properly shake off being also-rans, to truly get to what made (or would make) them special. Mecano’s Ya Viene El Sol is an electro-pop album but it’s also one slippery enough to fit many other styles and genres, yet still come off as theirs. Outside…

  • jeanmichel

    Holding fast to some heartfelt theory, I do believe the best musicians aren’t always, exactly “musicians” themselves. Joining us today in our personal, illustrious group which includes Steve Hiett and Brian Eno, is native Frenchman Jean-Michel Gascuel. In the span of two years, from 1982 through 1984, Jean-Michel Gascuel released two albums C’Est L’Premier Pas…

  • Clowns to the left of me, jokers to the right, here I am, stuck in the middle with Shadowfax’s The Dreams Of Children. Clearly, a dividing line between their more celebrated/known early work as Windham Hill darlings of jazz/fusion and their later work as ultra-smooth New Age group, The Dreams of Children (seems to me)…

  • Is it Jazz? How many times can one ask that question. What exactly constitutes Jazz? Genji Sawai’s Sowaka stretches this idea limit. Myself, I think it’s exactly what Jazz should be: dangerous, provoking, and exploratory. A fusion of Japanese free-jazz with New York noise-punk shouldn’t work, then, yet again, who could ask for more? On…

  • Série Réflexion 1

    Here’s another worthy album for the canon of Japanese minimalism, Oscilation Circuit’s Série Réflexion 1. Released in 1984, by Sound Process, ostensibly a new part or truncation of Satoshi Ashikawa’s “Wave Notation” series, Série Réflexion 1 perfectly presents another facet of the label’s promotion of minimal music. This time around we get a feel of livelier stuff than any of…

  • Mystical, otherworldly, Haitian rara and vodun funk from composer Alix Pascal. Under the group Ayizan, Alix moved away from his earlier beginnings in the mannered, rural musical style from the tropics called compas into something with far longer stretches/reaches: the music of Africa and post-slavery Hispaniola. Ayizan’s work in Dilijans (creole word for diligence) combined heavy Afro-funk…

  • watermelon

    It almost seems like I really shouldn’t have to write that much about the Water Melon Group. If you don’t know the two main players of this group, the late Toshio Nakanishi and Yann Tomita, now would be a great time to go back into the FOND/SOUND vault and dig up my entries on their…

  • Now this, this right here, is the promised boogie wonderland. The late Michele Francesco Puccioni’s (aka Mike Francis) 1984 debut is that unheralded statement piece of funk and R&B music that once you have your chance to get your hands on you’ll never forget. Let’s Not Talk About It was the product of some hard-earned…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic