ambient
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Faceless and nameless, but not without their charms. Library by Exotics is a fantastically twisted album that orbits between the worlds of power pop and electronic mutant funk. You’d think such a one-off would come out of nowhere, but there were seeds of who the Exotics were (and what they aimed to do) elsewhere.
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How do we get beyond the “fourth world” ideas thought of by early progenitors of it, like Eno and Jon Hassell? We begin by seeing it, hearing it, through the eyes/ears of those who felt a need to connect to other traditions as it could form part of their own. The classic idea was to…
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Someone’s going to look back at this post and wonder: “why the hell did this guy write so much about what amounts to be adult lullaby music”. Well, stopping “theoretical person” in their track, I do so because this kind of music is unlike much else you’ll hear today. Ken-Ichiro Isoda’s ナチュラル・トリップ マジエルの星, which (don’t…
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For those looking elsewhere for inspiration, you can turn your heads away from Japan, for just a moment. Let’s look back toward these United States. Here’s another gem from the forgotten Music West record label. Perhaps that label’s crown jewel, Kenneth Nash’s A Touch Of Kenneth Nash: Music From A Far Away Place epitomizes the…
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This next one, for me, has been pretty special ever since I received it. It took me a while to pinpoint why exactly I loved Tomoyuki Asakawa’s Relaxation Music For Harp And Wave. Everytime I put it on bits and pieces of familiarity crept into my subconscious. I kept thinking the whole time: “I’ve heard…
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There’s always a lovely melodicism to Italian minimalist music. Lately, I’ve been fascinated by the works of little known Italian record label Stile Librero for that reason. Let me introduce you to a slice of this spirit, through the work of harpist Andrea Piazza who released his gorgeous debut album dubbed Tirtaganga on it.
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Guest Mix by Klas Trollius Editor’s Note: I thought about what FOND/SOUND reader Klas states below: “connected to place-making (by creating a certain atmosphere, specific to the time and place of a recording) and displacement (by transporting you to a mental, perhaps fleeting place in your own mind)” and it made me truly understand his mix, in…
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Illustration by Laura Gomez I usually don’t gravitate towards writing about something I didn’t include in a mix but I just have to make an exception this time, with the final volume of the Japanese New Age and Ambient series I created for NTS. Satoshi Sumitani’s “金の星と銀の星” (Kin No Hoshi To Gin No Hoshi) from 不思議の森～Forest…
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That intersection between organic and inorganic has been something I’ve been chewing on lately. What makes something one or the other? I’d argue that something as simple as the introduction of sampler instruments revolutionized the way we can make that argument immaterial.
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic