balearic
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Sometimes, it’s the combined power of simpatico ideas that yields the biggest payoff. I remind myself of this whenever I listen to the wonderfully sunny, “summery” music of Carole Serrat. Made in Japan but born in France, Carole’s OSE serves as a perfect gateway into a little-known bit of musical symbiosis.
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Once again, we’re back at the shoreline or more like: I can’t seem to leave the water’s edge. As summer continues to wind down, I keep going back to explore my kind of deep easy listening: “resort music.” My mind and ears keep heading down to the early works of Moonriders’s Masahiro Takekawa and his…
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With nearly everyone transitioning into late summer, my mind (and ears) lately come back to Yoko Kanno’s music. It’s not Yoko’s out-there jazz for Cowboy Bebop nor her cyberdelic contemporary work on anime like Macross Plus. No, it’s Yoko Kanno’s little-heralded, windswept, breezy, Balearic soundtracks for Koei’s 大航海時代 (aka Uncharted Waters) video game series.
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If there’s one thing that I find worthwhile about sharing music with y’all, it’s that it forces me to push myself to stick my neck out. It moves me to dig a little deeper and get a fuller picture for y’all to experience. And in today’s case, it puts me in a position to do…
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How does one describe Ken Muramatsu’s music? If I can compare it to anything, it’s to enjoying an apéritif on a hot summer day. Filed under the “ambient”, “jazz”, or “New Age” banner, it’s his music that never completely traffics in any of those spaces. It’s deeper, much easier, listening. Like a good Alvarinho or…
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If you’re like me, sometimes all it takes is one listen to feel that a certain album or artist should have made a bigger mark. When I listen to Yow Okazaki’s Damage, with its fusion of hip-hop, techno, ambient and French Pop-influenced acid jazz, I think: now here’s music that merits a certain introduction.
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There’s a fine line between background music and background music. It’s something that’s easier to hear than explain. And one way to do so, is to introduce you to the melodious environmental music of Kyoji Ohno and specifically, his, Kutsurogi (サイコジェネシス・シリーズ くつろぎ) .
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I gotta say: some of my favorite albums are those “imperfect” ones. Although they may not contain a complete record full of highlights, all is forgiven, because of those that do exist in one album. It’s those albums like the late, great, Richenel’s Deep As Blue.
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If you can, allow me one more diversion for the year. In my last post, I finally found words to describe what was my album of the year for 2022. Now I’m cycling back to an album that truly lingered in my headspace just as long this past year, 2023. It’s an album marked by…
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As a writer, I try to remain as objective as possible and not inject too much of myself into what I review. Yet, as we all know, it’s impossible to completely divorce yourself from a reality: music hits differently. How any piece of music affects you has to be informed by the contours that shape…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist Mix neo-folk neoclassical new age walearic