electro-pop

Mebae Miyahara: Portfolio (1986)

2018/05/18

Now, I finally feel that we’re ready for an album like Mebae Miyahara’s Port･fo･lio. But first a huge thanks to Giacomo Lee for sharing it with me and, by extension, with us. Full of wonderfully gorgeous, lilting tropical techno-pop, Port･fo･lio should instantly remind you of all those artists you might have heard in the recent Walearic…
Mecano: Ya Viene El Sol (1984)

2018/05/15

What a shining moment. It took Mecano two albums to properly shake off being also-rans, to truly get to what made (or would make) them special. Mecano’s Ya Viene El Sol is an electro-pop album but it’s also one slippery enough to fit many other styles and genres, yet still come off as theirs. Outside…
Dave Stewart & Barbara Gaskin: Up From The Dark (1986)

2018/05/08

I think the right phrase for this one is: “all my Christmases came at once”. Never before had I thought I’d be able to bring up someone from my very, very early blog past, in this latest version of it, in a way that made perfect sense. Dave Stewart & Barbara Gaskin’s Up From the…
Romie Singh: Masters (1986)

2018/05/01

Romie Singh’s Masters is more than just one killer 12” dub plate surrounded by lord knows what. Masters is a wonderful reminder of the bit of delightful weirdness that Romie was able to capture in a bottle, some months in Hamburg, in 1986. Masters was an early collection of proto-future Pop from someone who managed…
Jean-Michel Gascuel: La Vie Continue (1984)

2018/04/20

Holding fast to some heartfelt theory, I do believe the best musicians aren’t always, exactly “musicians” themselves. Joining us today in our personal, illustrious group which includes Steve Hiett and Brian Eno, is native Frenchman Jean-Michel Gascuel. In the span of two years, from 1982 through 1984, Jean-Michel Gascuel released two albums C’Est L’Premier Pas…
Fashion: Fabrique (1982)

2017/10/27

One of the ultimate statements in sleaze. Some Discog commenter put it better than I ever would: “If cocaine were music, this album would be the result.” Helmed by German post-disco mastermind Zeus B. Held and a post-punk quartet from Birmingham, England, Fashion, Fabrique brought them together to create something that vastly outstretched their original influences. Fabrique saw them…
Tabo’s Project: Eyes Of A Child (1986)

2017/10/06

Other than being a great proponent of why we need paid maternity leave in America, Tabo’s Project Eyes Of A Child is a great proponent of how many hidden gems in Japan’s musical history are still left to be rediscovered. A balearic masterpiece, or walearic (if we’re being pedantic), Eyes of a Child was conceived in…
Chris Mosdell: Equasian (1982)

2017/09/08

Simply phenomenal. That’s a great word to describe Chris Modell’s debut: Equasian. Phenomenally hard to describe. It’s an album released exclusively in Japan by an American artist who got his start translating Japanese lyrics into English for them, and used that entry way to get repaid back, by said Japanese artists, by allowing them to…
Regrets: Agathe (1985)

2017/08/25

Entirely slept-on, to the point that it still boggles my mind how with all the recent reissues and rediscoveries of artists like Telex, Alec Mansion, Li Garattoni, and Linda DiFranco – artists who skirted the line of Balearic, electro-pop, post-disco, and boogie – there hasn’t been room for someone to be woke enough to Montpellier’s…
Joachim Witt: Moonlight Nights (1985)

2017/08/18

If anyone knows me, they’d know this album forms a perfect storm of what I dig about music. I love it when someone actually aims to “sell out” by doing it in such a way that everyone is left dumbfounded by the product of that intended vision. There is one “right” way to pull that…