environmental music
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Illustration by Laura Gomez I think, no undertaking is ever as enriching if isn’t done with a purpose in mind. For myself, trying to understand and (most importantly) differentiate what makes Japanese Ambient music different than other ways to music led me to an idea. It’s one that I thank NTS for giving me a…
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You always begin with a blank canvas. Then, you fill it with as many colors and shapes you need. Ending with a blank canvas is the ideal of any meditation. Music for meditation, as the late Fumio Miyashita’s Tenkawa Isuzu intends to be, should be an oxymoron. I beg to differ. You see, meditation itself…
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When I originally wrote my piece on Yoshio Ojima’s groundbreaking work Une Collection des Chainons I, I couldn’t think of why omitted the second part of his story. Une Collection des Chainons II truly cements what a monumental piece of music (Une Collection des Chainons I&II) for the Wacoal Art Center was. Trying to move…
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Just reading about Takashi Kokubo makes one feel decidedly less accomplished. Since the early ‘80s, Edokko Takashi has been knee-deep in the environmental music world. Outside of Japan, few would know that he is responsible for perhaps some of the most terrifying sounds you’ll ever want to hear.
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There’s something about fall that makes me play Hiroshi Yoshimura’s music much more often. On prior albums like Green, A・I・R (Air In Resort), and Soundscape 1: Surround, Hiroshi perfectly seized on exactly what “environmental music” could be and how it could differ from BGM (background music). No longer mere ambient music, it was decidedly rich, melodic experimentation…
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Released on Wacoal Art Center’s NEWSIC label, Yoshiaki Ochi’s Natural Sonic shares some of the same magic heard in the music of fellow roster mates Yoshio Ojima, Motohiko Hamase, and Mich Live. This time the aural trick would be one of the most simple of them all. Largely composed, conceived, and performed on organic material…
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Some music you discover, and some simply grabs you instantly. For me, the music of Suba, the brilliant Serbian musician Mitar Subotić, is one of them. The line between atmospheric, ambient, New Age, and environmental music is so thin, that to render one type of music, a certain something misses the whole point. With Mitar…
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You can always hear music in Steve Hiett’s photography. You can definitely hear the music on the cover of his solo debut, Down On The Road By The Beach. Heavily saturated with color, mesmerizingly flash-lit, and warmly off-center, this image was like an Edgar Degas painting come to life – albeit one fashioned with Miami’s…
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What’s with Japanese session bass players? Yoshio Suzuki, Tsugutoshi Goto, Hirobumi Suzuki, etc. and now Motohiko Hamase, all at one point or another decide to show the world that they can do more than lay down a tasty bass line. #Notes of Forestry shows exactly how fascinating their own ideas can be when they’re given…
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There is a time in any good musician’s life when they absolutely nail down whatever they had to place. Akira Ito, one time keyboardist for influential Japanese psych rock outfit The Far East Band, could have stayed with that group rehashing “out there” musical troupes – variations on psychedelia with The FABs or Kitaro-like, Jean-Michel…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic