japan

  • The dream continues…coming in next, but arguably first in its conception, is my mix for Radio Jiro on NTS. In this mix I’ll continue to flesh out this esoteric idea of Walearic music. As mentioned in my previous Walearic mix, it’s a conceptual genre of Japanese music looking beyond strict influence from western Pop music and turning it’s eye instead…

  • Magical Computer Music

    Am I allowed to punt on this one? Literally, it’s all there — right on the album cover. Magical computer music by Magical Power Mako. I’ll never top this description. Just one look at the album cover puts you there — a smoldering Makoto Kurita surrounded by a shoji panel, two TVs playing VHS tapes, two…

  • Is it Jazz? How many times can one ask that question. What exactly constitutes Jazz? Genji Sawai’s Sowaka stretches this idea limit. Myself, I think it’s exactly what Jazz should be: dangerous, provoking, and exploratory. A fusion of Japanese free-jazz with New York noise-punk shouldn’t work, then, yet again, who could ask for more? On…

  • It’s hard for me to separate Mick’s past from the work you’ll hear in Titles. Still impossibly underrated and unaccounted for — compared to the actual influence he put in motion — there is just something truly unique found in the late Mick Karn’s bass technique, musicality, and ideas. Titles, his first solo work after leaving Japan,…

  • Série Réflexion 1

    Here’s another worthy album for the canon of Japanese minimalism, Oscilation Circuit’s Série Réflexion 1. Released in 1984, by Sound Process, ostensibly a new part or truncation of Satoshi Ashikawa’s “Wave Notation” series, Série Réflexion 1 perfectly presents another facet of the label’s promotion of minimal music. This time around we get a feel of livelier stuff than any of…

  • Who can argue that an apple falls far from its tree after listening to Demo Tape 1? Demo Tape 1 was a compilation of music curated by Ryuichi Sakamoto and Akito Yano for their Midi Inc. label. The premise was simple: ask anyone who tuned in to Ryuichi’s ongoing NHK radio program “Sound Street” to send a…

  • We can affect change or be an effect of change. These ideas, proposed wonderfully in Charles Demuth’s Spring, moved me to take up a call from Zattirizat to create a playlist for their brilliant guest mix series. Umut from Zattirizat got me thinking: What can I do to move your needle? To do so, I had to…

  • What a perfect image. Even William Blake must be blushing at Masumi Hara’s otherworldly portrait for Yoko Ueno’s Voices. Feminine angels (bearing more than just their souls), perfectly trapezing on man-made wires, as ever darkening skies, grow ever more, endlessly, on some barren land. Mystical and philosophical, through one image Yoko Ueno’s Voices had its…

  • My mind races trying to describe Chinatsu Kuzuu’s music. Should I share with y’all my first impressions? First, I hear the voice of June Tambor as transferred to a young woman (around her age) in Tokyo. Then, I hear the Gaelic fantasy music of Horslips, mutated through the introduction of digital polysynths, drum machines, and…

  • First off, I have to apologize for the lo-fi quality of this recording. Unless your name is Masaki Eguti or you are Kaoru Todoroki, most likely, you’ll never happen upon the original cassette recording of this truly audacious release. The only source for this audio is Kaoru’s (?) own Real Audio files uploaded to a…

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