japan

Gontiti (ゴンチチ): Legacy Of Madam Q (1987)

2018/01/12

I hate to say it but Osaka guitar duo Gontiti (pronounced Gon-Chi-Chi) really nailed it when they called themselves the creators of “The Most Comfortable Music On Earth”. You see, I first encountered the music of Gontiti in the most unlikeliest of likeliest places. On some fateful day, I was with my partner at a…
Killing Time: Irene (1988)

2018/01/05

It is with great joy that I’ve decided to share Killing Time’s Irene. Undoubtedly one of the toughest groups to describe on this hear blog, Killing Time hovers among so many styles and moods that to render them one thing or another would miss the point of their existence. Irene, though, in 1988, perfectly placed…
Yoshio Ojima: Une Collection Des Chainons II: Music For Spiral (1988)

2017/12/22

When I originally wrote my piece on Yoshio Ojima’s groundbreaking work Une Collection des Chainons I, I couldn’t think of why omitted the second part of his story. Une Collection des Chainons II truly cements what a monumental piece of music (Une Collection des Chainons I&II) for the Wacoal Art Center was. Trying to move…
Toshifumi Hinata: Story (1987)

2017/12/15

I wish I had a great way to describe the beauty of Toshifumi Hinata’s music, more so, the beautiful music you’ll find in Story. I’ll skip over his background, which you can peruse here, in a previous post, so that we can get to the meat of the album. Though not quite as dark/moody as…
Takashi Kokubo: Get At The Wave (1987)

2017/12/08

Just reading about Takashi Kokubo makes one feel decidedly less accomplished. Since the early ‘80s, Edokko Takashi has been knee-deep in the environmental music world. Outside of Japan, few would know that he is responsible for perhaps some of the most terrifying sounds you’ll ever want to hear.
Mix: 7. Only Love

2017/11/22

I was going to write about how much I appreciate all of you, the readers, who keep visiting this blog and give your precious time to discover music I feel passionate about. It’s been over a year since FOND/SOUND began. It’s because of your encouragement and support that this labor of love keeps going. With…
Hiroshi Yoshimura: Flora 1987 (1987)

2017/11/14

There’s something about fall that makes me play Hiroshi Yoshimura’s music much more often. On prior albums like Green, A・I・R (Air In Resort), and Soundscape 1: Surround, Hiroshi perfectly seized on exactly what “environmental music” could be and how it could differ from BGM (background music). No longer mere ambient music, it was decidedly rich, melodic experimentation…
Takami Hasegawa (長谷川孝水): L’Ecume Des Jours (日々の泡) (1983)

2017/11/10

These are the kind of stories that make me smile. Truth be told, there is desperately little story out there to tell of Takami Hasegawa’s sole release L’Ecume Des Jours (a nod to Boris Vian’s novel Froth on the Daydream…). Singer-songwriter Takami Hasegawa from Fukushima decides to release an album of Gallic-style, Les Disques du…
New Child: Rehabilual (1990)

2017/11/07

Maybe Harry Hosuono was onto something? Mishio Ogawa, the “Trance” part of the Love, Peace, & Trance equation…and also ex-lead singer for Japanese experimental New Wave act Chakra…seemed like an odd choice to be one of the three vocalists for his eclectic and forward-thinking quasi-ambient techno group of the same name. However, judging by the…
南佳孝, 観, 太田建: 882 Studio (1985)

2017/10/24

These are the kinds of records that just mean the world to me. They’re the ones so full of potential, yet profoundly this…close to being lost in the cracks of history. What you’ll hear in 882 Studio is a very short and sweet compilation by three artists from the Japanese label Fitzbeat, a label mostly…