jazz
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Far be it from me to write anything definitive on the work/life of the late, great Brazilian percussionist Naná Vasconcelos, but let me take a stab to write about a sleeper favorite of mine. Naná Vasconcelos’ Rain Dance wasn’t released on any formative label like ECM, or released with any audacious artist like Milton Nascimento,…
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Let’s do things recursively. Mekong Zoo’s Minimal Dance is exactly as its written — dance music with minimal gestures. Minimal Dance is the unlikely collaboration between two quietly pioneering Japanese female musicians and another intriguing one from England. A hybrid mix of world music, jazz, ambient, neoclassical, and burgeoning techno, it’s piece together all these…
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Guest Mix by Klas Trollius Editor’s Note: I thought about what FOND/SOUND reader Klas states below: “connected to place-making (by creating a certain atmosphere, specific to the time and place of a recording) and displacement (by transporting you to a mental, perhaps fleeting place in your own mind)” and it made me truly understand his mix, in…
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I’m afraid people might get the wrong impression when they listen to the opening track from Michiko Akao’s Yokobue. What’s there to say about “般若波羅蜜多 – Prajna Paramita”? Manning the iconic transverse flute of Japan, the yokobue, Michiko creates a dark jazz funk piece that somehow manages to mix a vocoder in, in a way…
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Oh, the joys and pains of promoting private press records. First of all, a huge debt of gratitude is extended to one Discogs record collector (mvns) who kindly shared with me this beyond interesting release by Japanese band (or solo act, hard to tell, at times), Milky Way Band. Released in 1989, through infinitely small…
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Guest Mix by Chris J. Morris Editor’s Note: For those who’ve ventured to the FOND/SOUND Facebook group our guest for today’s mix, Chris J. Morris, has been tearing up the board with fascinating share, upon fascinating share, much of it from his personal collection. Showing a deep knowledge of Latin experimentalism, and so much more, I…
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When Yasuaki Shimizu’s Mariah split up their story appeared to end there. Marica’s Jellyfish 海月 proves that Mariah was just a small part of the bigger slice of Japanese Pop music these same members created, that still merits rediscovery. Produced by ex-Mariah members Masanori Sasaji, Jimmy Murakawa, and Morio Watanabe, Jellyfish 海月 finds vocal jazz…
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Simply impressive. What else is there to say about Tsugutoshi Goto’s City Trickles: 街の雫? Most double-LP’s suffer under the weight of their own reach, but the best one’s justify their length due to the sheer scope of that maker’s vision. And boy does Tsugutoshi Goto have one here. From neck-snapping electro, out-there fusion to impressive…
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There’s something special about Haitian zouk music, if you look in the right place. Mushi & Lakansyel’s Koté Ou, much like the cover suggests, is a meditation on the intimate and quite unique musical style of this Caribbean nation. A product of all the touchstone influences that have set foot in Haiti — latin, French,…
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How much are we a product of our past? It’s those thoughts that were floating through pianist Febian Reza Pane’s mind when he created Dreams Of Ganesha. From the first piano note you hear played to the last sustained note your hear ringing, instant memories of the deeply inward “jazz” music of Keith Jarrett start…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist Mix neo-folk neoclassical new age walearic