new age

  • A wiser person than me once said: serit arbores, quae alteri saeclo prosint or he that plants trees, loves others beside himself. It’s a saying that would later gain life as the old adage, “Blessed is he who plants trees under whose shade he will never sit.” I’m thinking of that phrase specifically because I’ve…

  • It’s not often that I review something that has me digging through my old piano-playing notes, yet here I am, looking for the right words to convey the construction of sheer joy coming from David Oliver’s music (and specifically his, Hope For La Roo). ‘Trills’, ‘octave runs’, ‘arpeggios’, ‘flageolet’, are some of the not-so-random words…

  • I’ve always had a belief: it’s that you can really tell a lot about a person by what they listen to, how they create, or what inspires them to create. As I read interviews with today’s focus, Hajime Mizoguchi, I sense that his music speaks volume of the person he is. Elegant, graceful, yet uniquely…

  • What exactly gives life to any inanimate object? Is it the way it looks? Is it the way we interact with it? Or is it the memories we attach to it? I imagine these were some of the many questions revolving around Yoshihiro Kanno’s head when he was invited to create environmental music to fill…

  • You know, sometimes the struggle is simply trying to quantify how unique something is. I’ve been listening to Liu Xing’s 無所事 (To Do Nothing) for more than a while now and every time I try to find an angle to share it on the site, I backtrack and hold off (thinking I’ll do it and…

  • “Now, we’re all under stress. What music do you need to get rid of it? You can find it with this.” – From the liner notes to ストレス・クリニック<自信がつく> (Stress Clinic) Couldn’t have said it better myself. You see, much like many of you, I am not immune to the stresses of life. And lord knows,…

  • Brace yourselves, let’s see how far I can take this review of Javier Zuazu’s Cuaderno De Invierno (or A Winter Journal). What was this album? 50-odd minutes of Spanish New Age that hovers from impressionistic piano-led instrumentals and wonderfully, minimal, warm and tender ambient mood music. Throw in one gorgeous ballad and once again, I’m…

  • I think, if I’m going to try to “sell” something to you, I should try to to sell it to myself first. For me, what instantly “gets” me about Chen Ming-chang’s music occurs around two minutes into “淡水騎車 (Riding In Danshui)” off this, his soundtrack to Hou Hsiao-hsien’s Dust In The Wind. 

  • I imagine, much like me, many of you have a peculiar relationship with Christmas (and winter holidays, in general). Yes, this time of the year can appear to be one marketing blitz blowing past another. Yes, religion can rear its inexplicable head and be injected into places one might not want to experience it. Yes,…

  • I hate to say this but this review might be one of the lighter ones. Not because of the album itself – the whole package is truly wonderful (a mix of nostalgia, elegance, and a certain uniqueness, tying quasi-ambient, quasi-neoclassical music with gorgeous photography of Hokkaido) – but because of the lack of information about…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic