sophisti-pop
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It’s perhaps uncommon knowledge that the best marriages (and relationships) are those comprised of two individuals coming together not in spite of their differences but because of their differences. One can clearly hear this in practice in the nearly telepathic playing of Osaka Japanese New Age guitar duo, Gontiti. In the past I’ve written a…
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What happens if you mix the Everly Brothers and Kraftwerk? The answer you’re supposed to hear should be: Adolphson-Falk’s Med Rymden I Blodet. However, I don’t think it quite is. Taking inspiration from both those iconic bands yet doing something decidedly different, is what led me to write about one of Sweden’s least heralded pop…
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Don’t you just love it when everything comes together? Kenji Sawada must have taken forever to match up his forward-thinking persona with his stagecraft and music, but on Aux Femmes 女たちよ) it all fell into place. Toying with gender, electronics, and all sorts of compositional elements, Aux Femmes 女たちよ proved he just wasn’t some emptyheaded…
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Was the world ever ready for Thomas Leer? Listening back to Thomas’s The Scale Of Ten one can hear all the potential there. It’s this theme of tweaking a recipe. Here it was to make his once abrasive, experimental blue-eyed soul into a chromed-out beast, outfitted in Fairlight CMI clothing, permeating with giant-sized hooks. In…
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There’s something I really admire about Naples’ own Teresa De Sio’s way of thinking. When I went around digging through interviews to find a little more about the backstory for 1988’s Sinderalla Suite, I encountered Teresa’s fuller story. In it, Teresa painted a much bigger picture than I was expecting.
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I have a confession to make. I have a distinct aversion to “girl” singers. I like my male singers to sound like adults. I like my female singers to sound like adults, too. Basically, I can’t stand when someone plays the role of a tart (with no irony), no matter what gender normative noun they…
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The changing of decades always seem to introduce truly amazing albums that fall through the cracks. Be it because they are caught in between eras. Be it because they’re simply made outside of any prevailing trend. These albums, unfortunately, reveal their true brilliance (sometimes) only in hindsight. Recently, I’ve had that aha! moment with Clevedon…
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American Clavé. What a name. Kip Hanrahan is one of those musicians that deserves, mightily, to be a large household name, but for reasons unbeknownst to me, never quite could break that final barrier. No matter how perfect his blend of outsider jazz and instantly “getable” ideas were. We’re worse off as a music culture…
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I always found it odd that a musical style tailor made for our generation is both a) little-known (outside of Anglophile circles) and b) devoid of noted umbrella genre. Sophisti-Pop is a made-up termed coined after the fact. Musicians like Paul Weller, Sade, Paul Buchanan, Green Gartside, Roddy Frame, and Paddy McAloon, might have (in…
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And now for some early magic from notable J-Pop producer and songwriter Keiichi Tomita aka Tomita Lab. Complete Samples by KEDGE, for all intents and purposes, is the work of one mind: Keiichi’s. A superbly fun and surprisingly complex work, it reminds me of some of the best stuff from Japan’s earlier City Pop and…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic