walearic

  • Seems like the perfect time to sneak this one through ye olde FOND/SOUND blog. Led by Makoto Matsushita, proud creator of one of City Pop’s timeless gems (First Light), and Chris Mosdell, proud creator of this totally slept on “Japanese” techno-pop gem, comes this decidedly different collaboration called Paradigm Shift. Like its namesake, it actually does…

  • Let’s take a step back. Let’s take a breather and rediscover the music of Hajime Mizoguchi. Romantic, sunny, and surprisingly graceful, Halfinch Dessert notched another special rung on Japan’s wonderful New Age music from that era. In 1985, it was that debut, that gave us a taste of the string-laden, pining sound Hajime was inkling…

  • And now, joining Genji Sawai in the next round of jazz not jazz, is the immensely talented drummer Hideo Yamaki. In essence, Hideo Yamaki’s Shadow Run, released in 1993, covers similar creative territory. However, the output here remains vastly different, even if some of the same cohorts help Hideo flesh out his own vision. Produced…

  • Here’s another album I’ve been holding off forever, waiting just for the right time of the year to share it. Kyoko Furuya’s 冷たい水 (otherwise known as Cool Water) embodies everything that was intriguing about the influential Japanese label Better Days’ short-lived existence. Kyoko Furuya’s 冷たい水 features a kaleidoscopic vision of what Japanese Pop can be…

  • I’m still venturing to think that 1992 must have been a very special time for Japan. If you caught my post about Hiroshi Fujiwara’s Subliminal Calm you would be wise to notice a shift in mindspace and soundspace taking hold then and there. Serious economic bubbles popping had led to a younger generation to grapple…

  • What is it today? Over here, in the U.S. it’s the Friday just before Memorial Day, a long holiday weekend. Yes, it’s that time of the year when our minds turn to summer — and at least my mind — it turns to music that’s even brighter, funkier, perhaps, something more suited for the weather.…

  • Port・fo・lio

    Now, I finally feel that we’re ready for an album like Mebae Miyahara’s Port・fo・lio. But first a huge thanks to Giacomo Lee for sharing it with me and, by extension, with us. Full of wonderfully gorgeous, lilting tropical techno-pop, Port・fo・lio should instantly remind you of all those artists you might have heard in the recent Walearic…

  • There always come a point in your life when you just have to say: “fuck it”…and lead with your heart. The late great icon frequently seen in black and white, with smoky cigarette in hand, had lead the life of someone unmoored by her origins in Japan. Deeply tied and influenced by American Jazz and…

  • The dream continues…coming in next, but arguably first in its conception, is my mix for Radio Jiro on NTS. In this mix I’ll continue to flesh out this esoteric idea of Walearic music. As mentioned in my previous Walearic mix, it’s a conceptual genre of Japanese music looking beyond strict influence from western Pop music and turning it’s eye instead…

  • We can affect change or be an effect of change. These ideas, proposed wonderfully in Charles Demuth’s Spring, moved me to take up a call from Zattirizat to create a playlist for their brilliant guest mix series. Umut from Zattirizat got me thinking: What can I do to move your needle? To do so, I had to…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist Mix neo-folk neoclassical new age walearic