Recorded by Hiroshi Yoshimura at his private studio, Hiroh 806, using Yamaha DX7, TX7, and FB01 synthesizers, a Roland MSQ-700 sequencer and a Victor AV computer. That’s exactly what the Sona Gaia release of Hiroshi Yoshimura’s Green stated in its liner notes. That can’t be. You put on Green, and the things that last with you, long after the album is over, are the times you remember how natural it feels in your memory.
The first music you hear on Green were the sounds of a stream and bird song. Once the “synthetic” part cycles in, they played a part of an unlikely ensemble; unobtrusive, complementary of the larger, sonic vision. Brian Eno once spoke of “Another Green World“, but with Green this one somehow remains the most impressive. It must be. It’s our green world, presented in these refinements, that speak of a golden period in time when Hiroshi graced us with one astounding vision after another, culminating in this utterly sublime masterpiece. My suggestion: gather, digest, and refresh.