japan

  • Sometimes I have to catch myself. Do I really want to go down the rabbit hole, searching for information…not for some brilliant bit of music…but for…a well-off music production company? If you, like me, have a bunch of records with literally no-name behind who created them, what do you do when you’re staring down Toyo…

  • It’s late summer again. Like before, I’m drawn to music that evokes feelings found at the corners of each such season. And in today’s case, it’s that pull of the sea (or a life aquatic) that reminds us that life keeps moving, as much as we keep exiting, stage left. It’s something you hear in…

  • Some artists make whole careers out of reinventing themselves. The best ones, you name it from the late David Bowie, to Joni Mitchell or Tom Waits, always leave you guessing just what they’re going to do next. The ones that try too hard, which shall remain nameless, always leave you wondering why they just can’t…

  • Find your space in the pocket. If ever there was a phrase that I’ve been trying to hammer home lately, on the blog, it’s that. It’s about exploring the work of musicians who moved things around, found ways to pick at frayed threads and bind them together, to build their own work. China’s Säju is…

  • For any musicians out there: aren’t those perfect, creative, moments the ones you find yourself while playing “in the pocket”? It’s when the groove that swung one way comes together on a beat (and whatever you’re doing is the exactly the right thing to be done). I say this because it reminds me of Suzy…

  • Many moons ago, someone interviewed me and asked me (to paraphrase them), “What makes you pick what you share on the site?”Now, if I remember correctly, I think I answered: “most of the time, it’s great music tied to a great story.” It’s with this in mind that today let’s do things a little differently.…

  • Timing. Isn’t that what life’s all about? If you’re there at the right moment, it all works out. If you’re there late, you’re at someone else’s fate. If you’re there too early, all that effort might not be for naught. If you’re speaking about Japan’s Kusu Kusu (and their album, 世界が一番幸せな日 (Sekai Ga Ichiban Shiawase…

  • There is no harder thing for a music reviewer to do than categorize music that’s, quite simply, uncategorizable. Especially so when it’s trying to pigeonhole or describe Chito Kawachi’s jaw-droppingly, unclassifiable 1993 debut, チトチック/クラクラ (CHITOTIHC/KULA-kura). 

  • Sometimes there isn’t any time better than the right time to share something. And in my case, it’s now or never, for East Pulse’s Asian Mirage, a fascinating curio or one-shot release by Japanese jazz flutist Toshiaki Yokota and multi-instrumentalist extraordinaire Chito Kawachi, who we’ll get around to later. 

  • Isn’t it always those late night thoughts that can push you to do something meaningful during your daylight hours? I say this because lately I’ve been ruminating on something: if ever this blog runs this course, I’d hate myself if I never took the time to document in some way those that had some way…

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