album of the month

  • “Now and again, we meet for tea. This is our universe: cups of tea. We have a beautiful cosmos, you and me.” It’s not often that we’re confronted with the secrets of life. It’s not often that we’re presented with such revelation (laced with equal parts comedy and profundity). A zen kōan said with a…

  • You know, some days I’m grateful I have a platform to highlight music that others might pass on. It’s why you get to hear albums like the late, great, Chika Ueda’s いつも 2人で (Always 2 People). While others might describe it as “more adult contemporary pap”, think of it as milquetoast, and file it under…

  • Who knows where the time goes? Because, apparently, lately it’s me. Through some fated collusion of circumstance and consequence, both personal and external, I’ve spent most of my day tied to a phone, tied to things out of my control. With the holidays – at least in America – upon us, what precious moments I…

  • Here’s something that not many are afraid to admit: a lot of us hate to be lost in the wilderness. It’s its metaphysical definition that many people struggle with. Just who enjoys being an outlier in the world? Yet, there are some of us, like Kim Doo Soo who’s best work comes when remaining steadfast…

  • I’ll be one of the first to admit this: intriguing album designs draw me in. Even in the age of digital artwork, nothing quite says “listen to me” than a singular, creative, point of view. I mean, what else would explain how I stumbled upon Miguel Braga’s haunting nocturnal ambient jazz album, Ritual? 

  • She didn’t have to do this, yet, nevertheless, she persisted. That’s the refrain bopping in my head as I go through Anna Banana’s past, looking to shed any more light behind the creation of this album: 大きな絵 (Big Picture). It’s about a hafu (and worse, a nisei), barely making any kind of ascent into stardom,…

  • There’s a reason that art can transcend time, space, and vocabulary. It does so because it can speak to something innate born within us. Perhaps, it’s that ability to empathize, to experience shared emotion through song. It’s what feeds any musician to put their thoughts on instruments and express themselves to others. And, as shown…

  • Six years. Has it really been that long? Yes, it has been nearly six years since I first wrote about the late, great Masahide Sakuma. It was back in 2016 when all we’ve ever experienced from Masahide came from a certain light. And now, I feel it’s time to share with you something just as…

  • Forgive me if I’m repeating myself, but if I haven’t said it bears I’m saying it now: sometimes I (just like each of us) is just a vessel for the greater good. In this case, it’s facilitating keeping a bit of music history alive. So, a huge thank you to both Victor Hsu Jui-Ting (who’s…

  • You know, sometimes as I choose to share a bit of music, what strikes me to do might be things that might not strike others quite the same. One of those things, I’ve got to say, is that I’m still a big fan of album covers and album titles that invite your mind to wander.…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic