neofolk
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Sometimes the hardest thing isn’t putting words on screen. Sometimes the hardest part is finding space to write about a certain piece of music you’re not completely certain others will understand (or have the patience for). Unfortunately, you know me, and you know I have patience to spare and more than enough time to choose…
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Is it: “Everything new is old again?” or is it: “Everything old is new again?” Before I left for my visit to Japan, I was freshly reminded of this paradox by (friend of the blog) Chris Morris’s YouTube share of an autumnal neo-folkloric favorite of mine: Begoña Olavide’s Salterio – one I reminded myself to…
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It’s pretty hard to write about Fukushima’s Karak without not waxing a bit nostalgic. Over the course of two records – Silent Days (サイレント) and Flow (フロウ) – all the music they created hovers around a certain mood and a certain period. For me, their tracks like “明日ヲ見ル丘” and “ゆめのスウプ” instantly conjure up all these…
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“Wherever I’ve been and gone, wherever I have gone, the blues are all the same…”, truer words could not exist to place Lee Jung-Sun’s music somewhere under the sun. Over a decade removed from his debut, it’s what drove his most unlikely masterpiece 9집 雨 (which roughly (?) translates to: A House Rain “Rain” —…
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Here’s something that not many are afraid to admit: a lot of us hate to be lost in the wilderness. It’s its metaphysical definition that many people struggle with. Just who enjoys being an outlier in the world? Yet, there are some of us, like Kim Doo Soo who’s best work comes when remaining steadfast…
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Charming, breezy, and wonderfully multi-layered, those are a few of the many adjectives one can use to describe the sole work by Korean art folk trio: 새바람이 오는 그늘 (who I’ll refer to as “The Shade With New Wind from now on). On their debut, 1990’s 1집, one can hear another defined turning point in…
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You know, sometimes I’m as much of a wanderer as you are. There are stories I’d love to really tell but (try as I may) I run into a limitation called: written history. Catherine Le Forestier’s Music Of Aziza is just one of those creations that merits more discovery than what I can share today.
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You know, sometimes the struggle is simply trying to quantify how unique something is. I’ve been listening to Liu Xing’s 無所事 (To Do Nothing) for more than a while now and every time I try to find an angle to share it on the site, I backtrack and hold off (thinking I’ll do it and…
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‘Tokiko Kato’ – now that’s a name. A giant of Japanese folk music, it was Tokiko who in many ways was at the vanguard, transforming Shōwa era traditional ideas into more nebulous regions throughout her musical career. But what do you say when, supposedly, such an artist ages out of innovating? Do you put their…
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I think, if I’m going to try to “sell” something to you, I should try to to sell it to myself first. For me, what instantly “gets” me about Chen Ming-chang’s music occurs around two minutes into “淡水騎車 (Riding In Danshui)” off this, his soundtrack to Hou Hsiao-hsien’s Dust In The Wind.
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic