electro

Minako Honda (本田美奈子): Oversea (オーヴァーシー) (1987)

2023/05/12

While I was writing about “Korea’s Madonna”, mentally, my mind going elsewhere, as well, thinking about that other Madonna: the late, great, Minako Honda. Putting myself, mentally in their shoes, I kept thinking about how as a young woman (especially of that ‘80s era) all the nonsense they must have gone through to simply: a)…
Konk: Jams (1988)

2021/02/02

It’s not normal for me to phone it in but these aren’t normal times. Yours truly, in case anyone’s wondering, has been under Corona virus quarantine for the past week. In between taking naps, experiencing brain fog, and (in this case) sharing TMI, I’ve taken to going back and listening to my musical “comfort food”…
Zoé: Zoé (1987)

2019/08/23

Truly no one is a prophet in their own land. Simply scroll down and look at the all Japanese superstars of boogie, funk, AOR and all other sorts of genres backing up British-born singer Loretta “Zoé” Heywood. Members of Mariah, the elite boogie duo of Yuji Toriyama and Ken Morimura, shall I continue? Mr. Logic…
Marica: Jellyfish 海月 (1987)

2018/09/21

When Yasuaki Shimizu’s Mariah split up their story appeared to end there. Marica’s Jellyfish 海月 proves that Mariah was just a small part of the bigger slice of Japanese Pop music these same members created, that still merits rediscovery. Produced by ex-Mariah members Masanori Sasaji, Jimmy Murakawa, and Morio Watanabe, Jellyfish 海月 finds vocal jazz…
Genji Sawai: Sowaka (1984)

2018/02/23

Is it Jazz? How many times can one ask that question. What exactly constitutes Jazz? Genji Sawai’s Sowaka stretches this idea limit. Myself, I think it’s exactly what Jazz should be: dangerous, provoking, and exploratory. A fusion of Japanese free-jazz with New York noise-punk shouldn’t work, then, yet again, who could ask for more? On…
Various Artists: Demo Tape 1 (1986)

2018/02/09

Who can argue that an apple falls far from its tree after listening to Demo Tape 1? Demo Tape 1 was a compilation of music curated by Ryuichi Sakamoto and Akito Yano for their Midi Inc. label. The premise was simple: ask anyone who tuned in to Ryuichi’s ongoing NHK radio program “Sound Street” to send a…
南佳孝, 観, 太田建: 882 Studio (1985)

2017/10/24

These are the kinds of records that just mean the world to me. They’re the ones so full of potential, yet profoundly this…close to being lost in the cracks of history. What you’ll hear in 882 Studio is a very short and sweet compilation by three artists from the Japanese label Fitzbeat, a label mostly…
Alain Chamfort: Amour, Année Zéro

2017/08/02

I almost hate myself for sharing this. It’s like eating a slice of sublime dark chocolate cake, followed by a full spread of some fine charcuterie, chased with some sumptuous Riesling. Obviously, it’s too rich and not entirely good for you…but man is it refined and tasty when you’re devouring it. That’s exactly the…
Imagination: Night Dubbing (1983)

2017/05/12

“Forget your sorrow let’s start livin’ for today” those are the sublime spliced verses that kick off this monumental piece of house music. Before such a word “house music” even existed only a few people were hip to the possibilities inherent somewhere deep in the mind of English soul band Imagination. Night Dubbing was the sound of Imagination stretching to…
Sly and Robbie: Language Barrier (1985)

2017/05/10

I’m looking at the liner notes to Sly & Robbie’s Language Barrier right now. Performances by Afrika Bambaataa, Bernie Worrell, Mikey Chung, Manu Dibango, Wally Badarou, Herbie Hancock (!), Bob Dylan (!?!?), and production by Bill Laswell…I keep asking myself why in the world did this not make a dent in anyone’s memory? By the looks of their…