Masahiro Sugaya: The Long Living Things (Zoo Of The Sea) (1988)
Masahiro Sugaya has always been an interesting composer. Based in Tokyo, it’s been his music that’s soundtracked dance theater group Pappa TARAHUMARA’s…
August 3, 2018
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Tag: experimental
101 records
Lino Capra Vaccina: L’Attesa (1992)
In a not-so-recent interview with Vice Italy, Lino Capra Vaccina laments that out of his recently reissued work we’re missing most of…
July 31, 2018
Roberto Musci & Giovanni Venosta: Water Messages On Desert Sand (1987)
It would be easy to supplant whatever I stated in my post for Nuno Canavarro’s Plux Quba and simply transport it here.…
July 17, 2018
Hideo Yamaki: Shadow Run (1993)
And now, joining Genji Sawai in the next round of jazz not jazz, is the immensely talented drummer Hideo Yamaki. In essence,…
June 29, 2018
Mecano: Ya Viene El Sol (1984)
What a shining moment. It took Mecano two albums to properly shake off being also-rans, to truly get to what made (or…
May 15, 2018
Romie Singh: Masters (1986)
Romie Singh’s Masters is more than just one killer 12” dub plate surrounded by lord knows what. Masters is a wonderful reminder…
May 1, 2018
Kazutoki Umezu: Diva (1988)
It’s not often you stumble upon an album quite like this one. A huge debt of thanks goes out to a fellow…
April 27, 2018
Judith Ravitz Participagao: A Banda Do Zé Pretinho – Bolerio (1983)
Perhaps Yehudit Ravit’s story can explain the appeal of Brazilian music to the Israeli citizenry. Not to go into deep into cultural…
April 17, 2018
Subliminal Calm: Subliminal Calm (1992)
Whenever I put on Subliminal Calm’s first and only release I immediately think of spring. Featuring a sublime mix of country, dub,…
April 13, 2018
André Geraissati: DADGAD (1988)
Well, this one’s a tough ‘un to describe. Meditative, elegiac, and at points quite melancholic, André Geraissati’s DADGAD is another instrumental, guitar album that…
April 10, 2018
Gonzalez Mikami and Titi Matsumura / Sound Process Design Kazumasa Kawashima: Tramart Sound Collection Vol. 1: Music As Interior (1983)
When we last left off discovering the “comfiest music” on earth (all self-appointed, of course), Gontiti was gently surprising me both at…
April 6, 2018
Fumio Miyashita: Tenkawa Isuzu (1986)
You always begin with a blank canvas. Then, you fill it with as many colors and shapes you need. Ending with a…
March 30, 2018