walearic
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It’s perhaps uncommon knowledge that the best marriages (and relationships) are those comprised of two individuals coming together not in spite of their differences but because of their differences. One can clearly hear this in practice in the nearly telepathic playing of Osaka Japanese New Age guitar duo, Gontiti. In the past I’ve written a…
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As long as there is summer and people still want to hear/read about another Hajime Mizoguchi album, I’ll be more than happy to ride on that feeling. Continuing on a very long retrospective on Hajime’s work, see prior posts for his prior work, today we land on another of his wonderfully summer-esque albums — A…
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I think that just about does it. If you had on your bingo card Toshiyuki Honda to complete the Japanese “saxophonist goes Avant Pop” game, you’re the winner now! Joining the likes of Yasuaki Shimizu, Genji Sawai, and Hiroyasu Yaguchi, comes Toshiyuki’s Saxophone Music, another album redefining what is exactly that: music played by saxophonists.…
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A leftfield reimagining of vaunted Afro-Cuban jazz classics, in a new school “futuristic” Japanese Pop style, shouldn’t sound so interesting as it does in Today’s Latin Project. Launched on the demise of one famous group (The Tokyo Cuban Boys) and the rise of one important, new musical voice, Yasuaki Shimizu, you’d expect something titled Today’s…
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My apologies to my less than trusty Google Translation app, but there are only a few things I can describe as legibly belonging in the shared space of Yuki Nakayamate’s Octopussy. Names like Roxy Music, Matia Bazar, August Darnell (as part of Dr. Buzzard’s Original Savannah Band and Kid Creole and the Coconuts), and Grace…
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And now for some early magic from notable J-Pop producer and songwriter Keiichi Tomita aka Tomita Lab. Complete Samples by KEDGE, for all intents and purposes, is the work of one mind: Keiichi’s. A superbly fun and surprisingly complex work, it reminds me of some of the best stuff from Japan’s earlier City Pop and…
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Streams of understanding, via spiritual land bridges, or how a Navajo-Ute found a musical connection with Japanese sonorities/tradition. Somehow, I feel a sense of myself in this music. The first time I heard of Island Of Bows by R. Carlos Nakai (with the Wind Travelin’ Band, Shonosuke Ohkura, and Oki Kano) I was struck by…
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When Yasuaki Shimizu’s Mariah split up their story appeared to end there. Marica’s Jellyfish 海月 proves that Mariah was just a small part of the bigger slice of Japanese Pop music these same members created, that still merits rediscovery. Produced by ex-Mariah members Masanori Sasaji, Jimmy Murakawa, and Morio Watanabe, Jellyfish 海月 finds vocal jazz…
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Leave it to me to create a post that’s not “evergreen” for a record that positively radiates with fun. Imagine Parliament set their mothership to Japan, and along the way picked up Gang Of Four, then decided that they really like techno-kayo music. Well, The Voice & Rhythm, led by the late, great vocalist and…
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Simply impressive. What else is there to say about Tsugutoshi Goto’s City Trickles: 街の雫? Most double-LP’s suffer under the weight of their own reach, but the best one’s justify their length due to the sheer scope of that maker’s vision. And boy does Tsugutoshi Goto have one here. From neck-snapping electro, out-there fusion to impressive…
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