Diego Olivas

  • I know some have posted this question to me before: “How do you pick what to share on the site?” I wish the answer was easier than: “vibes”. Yet, sometimes it’s not even that. Sometimes, it could be something far more ordinary, and dare I say, less placeable. It could be just one song that,…

  • “I was born to sing” – so graces the words of Teresa Carpio, to the Japanese-version of her powerful pan-Asian debut, 心己许 (Tokyo Dreaming). And after listening to the record, who am I to disagree? Much like her voice, it was this record that finally expressed fully the range of her voice and her ideas.

  • Sometimes, I think we’re all in need of some kind of palette cleanser. At the cusp of summer, the urge is to find more in-between season music. It’s with this in mind, that I’m breaking one of my cardinal rules for this blog and choosing to cover music closer to our station in life. It’s…

  • You know, sometimes you’ve got to step back and realize that there’s only so much thread to pull at. It’s not ideal, but it’s something I keep reminding myself of when I have to write about (or share an album) much like Sha’aban Yahya’s Return To Jogja. 

  • How’s everyone doing? If you’re like me, perhaps, things are looking up. When I was going back a week or two thinking about where to take my latest LYL Radio mix, I kept looking at all the music I’ve gravitated towards to lately, and all of it was seemed joyful. So I thought: “there’s something…

  • You know, there’s something strangely meditative about filling out a Discogs credit list. I find it so, because you feel like you contributed to artists getting their proper accreditation and also you getting a fuller picture of how something got made. So, when I finished populating Maria Kawamura’s 「春の夢」 – サンクタス – (or Spring Dream…

  • The more I listen to Yang Xiao-lin’s 禧樂 (I Take You There), the more I’m impressed by how malleable folklore is. In the original liner notes, the words “elegant, pure, psychedelic, lively, remote and modern” are thrown as adjectives to describe this album. Myself, at first, I thought each word seemed to contradict the other…but…

  • While I was writing about “Korea’s Madonna”, mentally, my mind going elsewhere, as well, thinking about that other Madonna: the late, great, Minako Honda. Putting myself, mentally in their shoes, I kept thinking about how as a young woman (especially of that ‘80s era) all the nonsense they must have gone through to simply: a)…

  • To paraphrase the great Janet Jackson, “Like a moth to a flame, Burned by the fire, My love is blind, Can’t you see my desire?” That’s the way love goes…and a way certain passions take us to some wonderful places. It’s something we can explore in Kim Wan Sun’s The First Touch. 

  • When I went about curating my latest mix for LYL Radio, a phrase kept guiding me forward: “atmosphere as culture”. If any of you are like me, I imagine one of your passions might be exploring how much music can drive culture and vice versa. Some of that urge to simply “dig deeper” might lead…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic