Interview: Kuniko Fukushima (福島邦子)
If you do whatever it is I do with this blog, every once in a while you’re bound to get that email…
September 4, 2025
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Author: Diego Olivas
975 records
Takao Naoi (直居隆雄): バイブレーション パルサー (Vibration Pulsar) (1998)
Since time immemorial, humans have looked up into the heavens, gazed at the stars and moon, and felt something stir within. From…
August 28, 2025
Ambient7 (アンビエント7): Full Moon (1997)
With summer winding down, my mind drifts to albums like Ambient7’s Full Moon. Ostensibly, it’s something you’d find (if you can find…
August 21, 2025
Yuki Takao Group: Ripening “Japanese Esthetic Sense” (1992)
The funny thing about sharing your own thoughts — about having your own site, about trying to give space for those who…
August 14, 2025
Various Artists: Garden Path (Ryoondo-Tea Compilation) (2000)
I’ll make this argument: if one wants to understand an aspect of “Japanese” sensibility, one must experience the tea ceremony — sadō…
August 7, 2025
Semba Kiyohiko (仙波清彦): Jasmine Talk (1996)
How does one capture the enormity of someone like percussionist Kiyohiko Semba? Do you focus on his early work as a key…
July 31, 2025
Konami Kukeiha Club (コナミ矩形波倶楽部): 魍魎戦記 (Madara 2 Sound Fantasia) (1993)
I feel like every time I write about video game music, I should preface my review with a disclaimer: I’m not a…
July 24, 2025
Takagi Kan (高木完): Artman (アートマン) (1997)
As a writer, one of the toughest things to gauge is just how deep you want to go down the rabbit hole…
July 17, 2025
Woodman (うっど漫まん): Osaka Massage – Heal No. 5 (2004?)
For someone like me, whose whole site is dedicated to writing about works in the past tense, there’s something especially poignant about…
July 3, 2025
Mix: 91. Yokohama Scenery (横浜風光)
One of the things I love about making mixes is that they allow me to explore certain works or ideas that inspire…
June 24, 2025
Hiroki Tamaki (玉木広樹): 音楽浴 田園・・・・ラプソディ (Music Bath – Countryside… Rhapsody) (1992)
I don’t know about you, but one way I try to really understand music—or at least those behind its creation—is to dig…
June 12, 2025
Keiji Itsukashi (嚴樫圭司): Tender Tone (1998)
No one needs a reminder of how delicate history is. But I’m reminded of it quite vividly whenever I listen to the…
June 5, 2025